And the other fellow
was standing at the window with his back to me. Looking up the street,
I should say, to see if it was going to rain."
After this little outburst, the millionaire seemed to have nothing more
to say.
He was thinking....
Cornelius van Koppen loved a good liar. He knew something about the
gentle art. It was an art, he used to say, which no fool should be
allowed to cultivate. There were too many amateurs knocking about.
These bunglers spoiled the trade. Without doing any good to themselves,
they roused distrust; they rubbed the fine bloom off human credulity.
His puritan conscience was enraged at petty thefts, petty forgeries,
petty larcenies. That was why he despised that otherwise excellent
person, the Financial Commissioner for Nicaragua, whose wildest flights
of embezzlement never exceeded a few hundred dollars. He respected a
man who, like himself, could work in the grand style. To play upon the
credulity of a continent--it was Napoleonic, it was like stealing a
kingdom; it was not stealing at all. This, he shrewdly suspected, was
what his good friend the Count was engaged upon. That delightful old
man was working in the grand style.
Bronzes, ancient or modern, were Greek to Mr. van Koppen. He could not
tell the difference between the art of Clodion and of Myron--had, in
fact, never heard the names of these good people and did not
particularly care to hear them; he paid Sir Herbert Street for that
part of the business. But he had picked up, in the course of his long
humanitarian career, a good deal of general knowledge. Old Koppen was
no fool. He was intelligent; intelligence, as the Count had said, being
perfectly compatible with progress. The millionaire could put two and
two together as fast as most men; he was celebrated, even among his
quick-witted compatriots, for an uncanny faculty of walking round
people without getting off his chair. Common sense, he called it.
Many a time he had listened to Count Caloveglia's rounded periods anent
the Locri Faun. Taking his own personal experience as a guide, he had
come to the conclusion that a man does not explain things quite so
satisfactorily, unless he has some business in hand. Everything fitted
into a hypothesis which had been slowly maturing in his mind, namely,
that he was confronted by a fraud, a really noble fraud, a fraud after
his own heart, a fraud deserving the fullest support of every sensible
man and woman.
Public-domain text, read in full here on John Shaqi.
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