Here, too, they play the ubiquitous African game, munkala or tarsla. Two
rows of six holes are dug in the ground, and in these they play with
counters of camel-dung a mysterious game which I never can learn. Here
they call it _mangola_, and it is played all down the East Coast, from
Mashonaland to Egypt, and also, I hear, on the West Coast; it seems a
general form of recreation throughout the Dark Continent, and has been
carried by Africans to all parts of the world to which they have
wandered. Here they were playing with holes in the sand, but one often
sees them dug in marble blocks, or on rocks, or in pavements.
There are two games--the game of the wise and that of the foolish; the
former, like chess, requires a good deal of thought.
[Illustration: FLUTE-PLAYERS IN THE WADI KOUKOUT, SOUDAN]
Sheikh Hassan Bafori's mother resided in this village, so old that she
looked like the last stage of 'She,' but no one said she was as old as
old Ali Hamid's mother.
I think the weaving arrangements were quite the most rude I have ever
seen.
The yarn had been wound over two sticks about 20 feet apart, and that
stick near which the weaving was begun was tied by two ropes, each a foot
long, to pegs in the ground. The other was simply strained against two
pegs. At this end a couple of threads had been run to keep the warp in
place. There was no attempt to separate the alternate threads so as to
raise each in turn. There was a stick raised 4 or 5 inches on two forked
sticks to separate the upper and under parts of this endless web of 40
feet. The weaver sat on her goat's-hair web, and never could get the
shuttle across all the way. It consisted of a thin uneven stick, over a
foot long. She had to separate twelve to fifteen threads with her hand,
and stick in a pointed peg about 10 inches long, while she put the
shuttle through that far; then she beat it firm with this instrument and
went on as before, patiently.
The shepherd boys looked very graceful, playing on the long flutes with
four notes. One of these flutes belongs to each hut. We were interested,
too, in seeing men making sticks out of ibex horns. They cover the horn
with grease, and put it in hot water or over the fire to melt and soften
it, and then scrape and scrape till it is thin enough and able to be
straightened. The ibex-horn hairpins are made with six or seven bands of
filigree round them. The women's camel-saddles have great frameworks of
bent sticks, nearly as large as some of the huts, to give shelter, and
are very smart indeed on a journey.
Public-domain text, read in full here on John Shaqi.
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