But old lady Powell, apparently dozing in her chair on the opposite
side of the fire was building a double air-castle. She said to herself
that Peter's little green cottage would suit the young preacher and his
bride very well, if its master should come to Benvenew to live. Nothing
was more likely. And Amanda and Peter would just hit it off together.
Everybody could see that. It was perfectly plain.
A HALT AT DAWN[3]
MARGARET DANVERS stepped aboard the southern-bound sleeper at Chicago
one stormy March evening, and as she walked composedly to her berth in
the middle of the car, the eyes of every person present were riveted
upon her. She wore a closely fitting garment of Russian sable, which
enveloped her completely, and a large beaver hat with drooping plumes,
and from the single fine diamond flashing at her throat to the tips of
her dainty Suéde boots she looked the model of a fashionable beauty.
She was the only woman on the car, and before she had fairly settled
herself comfortably, all the men had mentally pronounced their opinion
of her looks and style, and hazarded a conjecture as to her age. Her
attendant, a florid man of middle age, received the slight degree of
attention justified by his seeming only an adjunct of the moment. As
he left her, he put into her hands a bunch of costly roses, which she
received with a smile and laid upon the opposite seat the instant he
was gone.
Of the score of passengers, two or three knew her by sight, for
she was, in a way, a public character, but, as it happened, none
were really acquainted with her, and before long even those most
deeply interested in her appearance yielded to the apathy peculiar
to sleeping-cars, and subsided into their newspapers or their rugs,
preparing to wear out the evening until bedtime.
Margaret amused herself in watching the flying snow and in reverie.
Too used to traveling to even care to look about her, she yielded to
the prevailing somnambulistic influence just enough to dream without
sleeping. At first there was in her mind a confusion of events
past, present, and to come. Incidents of no importance mingled with
greater ones, and her reflections became mixed with little fanciful
suggestions of things long since forgotten, or, rather, voluntarily
put out of mind. She tried to think of her career, to recall her
triumphs, and to dwell upon the possibilities of the future. She told
herself that music was her life, that all she had to do with was the
beautiful and the divine in art, and that the everyday existence
she had struggled to rise above was henceforth nothing more than an
unpleasant memory.
Public-domain text, read in full here on John Shaqi.
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