Southern Spain, Painted by Trevor Haddon, Described by A. F. CalvertCalvert, Albert Frederick
History
Southern Spain, Painted by Trevor Haddon, Described by A. F. Calvert
Calvert, Albert Frederick
Spain -- Description and travel
"His great work, 'The Labyrinth,' may in a measure be compared with
that part of the 'Divina Commedia' where the Florentine places
himself under the protection of Beatrice. Accompanied by a
beautiful young woman personifying Providence, the poet witnesses
the apparition of the worthies of History and Legend, and amuses
himself in sketching their portraits. At times the style becomes
heavy and pedantic, at others the touches of the pencil have a
vigour and simplicity altogether Dantesque. Before Juan de Mena,
the Castilian muse had never taken so daring a flight; and in spite
of the defects of the general scheme, the untasteful phraseology,
and the measure, 'The Labyrinth' abounds in conceptions and
episodes where energy blended with beauty reveals a genius of the
first order."
[Illustration: CORDOVA--COURTYARD OF AN INN]
From poetry to leather the transition may seem abrupt, but it is to be
feared that our city has derived more renown from the latter than the
former. The stamped and gilded leather of Cordova was highly esteemed
all over the civilized world from the fifteenth century to the
eighteenth. Whether the industry was introduced by the Moors it is idle
to inquire; long after their departure it formed the principal business
and source of revenue of the Spaniards of the city. A powerful guild
laid down strict rules as to apprenticeship, and regulated the quality
and quantity of the manufacture. Terrible penalties were enforced
against the tanner who made use of the hides of animals that had died of
disease. The kings of Spain considered trunks or other objects
bound in Cordova leather gifts very suitable for their fellow-princes.
The Catholic kings, absurdly enough, forbade its exportation to the New
World, not wishing to deprive the mother-country of goods of such price.
With protection on this scale, we are not surprised to learn that the
industry began to decline. Cordova was at length surpassed in its own
line by Venice and other cities. The rich specimens of its work which
adorned the mansions of its old noblesse were sold and dispersed all
over the world, upon the general impoverishment of the kingdom in the
eighteenth century. Then came the sack of the city, a hundred years ago,
by the army of Dupont. Time has spared the famous race of Cordovan
horses, and many a poor hidalgo rides into the town on a steed which if
sold in London might redeem his shattered fortunes.
Public-domain text, read in full here on John Shaqi.
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