Southern Spain, Painted by Trevor Haddon, Described by A. F. CalvertCalvert, Albert Frederick
History
Southern Spain, Painted by Trevor Haddon, Described by A. F. Calvert
Calvert, Albert Frederick
Spain -- Description and travel
What followed the extinction of the Nasrid monarchy is not pleasant
reading. The rights and privileges guaranteed the conquered were soon
swept aside. The mild Archbishop de Talavera, the humane Tendilla, were
superseded in the government of the city by fanatics more after
Isabella's heart. Systematic persecution of the luckless Moslems ensued.
They revolted, and their revolt was quenched with their own blood. They
were intimidated, browbeaten, imprisoned, condemned, and burned. Their
language, costume, and creed were banned. They were ordered to embrace
Christianity under pain of death, and forbidden to quit the country.
They appealed to Egypt, but it is a long way from the banks of the Genil
to those of the Nile. Finally (and one hears of it with relief) they
were all expelled from the country. As a race they perished utterly. The
art, the civilization, which they had learnt on Spanish soil, they left
buried in Spanish ground, and it was a long time before it was
disinterred.
The price Spain paid for national unity was a heavy one, but it was
worth it. When we turn to Turkey, can anyone say that a united Spain
would have been possible, with the fairest of her provinces and cities
and the whole of her southern seaboard in possession of a people alien
in race, tongue and creed?
With Oriental people, the history of the palace is the history of the
State. At Granada every traveller turns instinctively towards the
Alhambra as the point of supreme interest. The famous pile is to the
city what the Mezquita is to Cordova--not quite, perhaps, since Granada
contains more than one building of intrinsic interest.
The Alhambra has been so often described (by the present writer among
others) that it is not easy to say anything new in regard to it, or even
to avoid identity of language with other writers in the description of
certain of its parts. Yet it would be impossible to give any account of
Granada without some notice of this famous building. To begin with, I
must impress on those about to visit it for the first time that the
Alhambra is not a single palace, but properly speaking is the name given
to a fortified eminence lying to the south-east of the city, and
including two palaces, a citadel, and a multitude of private residences.
In its nature it may be compared with the Acropolis of Athens and the
far-distant Castle of Bamborough. The name, as most people are aware, is
derived from _Kalat al hamra_--"the Red Castle," to adopt a translation
which I have never seen disputed. (While not pretending to rank as an
Arabist, I have not failed to notice that an infinite number of
words put forward as Arabic by writers on the Spanish Moors are
unintelligible to Syrian and Egyptian Arabs, and, which is more to the
point, to many Hindu students of Arabic.) In shape the hill has been
cleverly compared by Ford to a grand piano. Rearward it abuts on the
Cerro del Sol ("the Mountain of the Sun"), to which Washington Irving
alludes so often.
Public-domain text, read in full here on John Shaqi.
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