Southern Spain, Painted by Trevor Haddon, Described by A. F. CalvertCalvert, Albert Frederick
History
Southern Spain, Painted by Trevor Haddon, Described by A. F. Calvert
Calvert, Albert Frederick
Spain -- Description and travel
loved and respected by all the people of southern Spain. We who live in
the humid sea-girt North can little understand the longing for clear,
cool water, the reverence for its dispensers, that must ever be felt in
the South. How constantly wells are referred to in the Bible: "As the
hart panteth after the water brooks," "With joy shall ye draw waters
from the wells of salvation." How significant are these beautiful
passages for those that have journeyed to the South!
[Illustration: GRANADA--TOWERS OF THE INFANTAS, ALHAMBRA]
Reluctantly withdrawing from this delightful spot, you must climb the
hill to the right of the entrance--there is a winding path to the
summit. Here you find the Torres Bermejas--a group of exceedingly
ancient and not very dilapidated towers, used as a military prison. They
date, it is believed, from the days before the Zirite dynasty, but you
will not be tempted to examine them attentively, for the purlieus are of
the most uninviting description. The adjoining cottages are peopled by
rascally-looking men and slatternly women, who would be better, one
would think, inside than just outside a gaol.
In ancient days an embattled wall connected these towers with the
opposite point of the Alhambra, closing the mouth of the valley, which
was not then the pleasaunce it is now, but an arid ravine used as the
burial ground of the fortress. The entrance to the valley is now through
the Puerta de las Granadas, built by order of Charles V. Taking the path
to the left, we soon reach the fountain in the Renaissance style,
erected in 1545 by Pedro Machuca, by order of the Conde de Tendilla. It
is ornamented with the imperial shield and the heads of the three
river-gods, Genil, Darro, and Beiro. The medallions represent Alexander
the Great, Hercules slaying the hydra, Phryxus and Helle, and Daphne
pursued by Apollo. The laurels growing out of the distressed damsel's
head give her the appearance of a Sioux brave. A few steps beyond we
reach the famous Puerta de la Justicia, so called because within it the
Moorish sultans or their kadis administered justice--or it may have been
merely law. This entrance is formed by two towers of reddish brick,
placed back to back, and united by an upper storey. We look at once for
the hand and key so often referred to by Irving, and distinguish them
with difficulty--the first over the outermost horseshoe arch, the latter
over the middle arch. Opinion is divided as to the meaning of these
symbols. The key is supposed by some to signify the power of God to
unlock the gate of Heaven to the true believer, while the hand appears
to have been regarded as a talisman against the evil eye. A winding
corridor leads through the gate into the citadel, past an
inscription celebrating the Conquest in 1492, and an altar now enclosed
within a sort of cupboard.
[Illustration: GRANADA--NEAR THE ALHAMBRA]
Public-domain text, read in full here on John Shaqi.
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