Southern Spain, Painted by Trevor Haddon, Described by A. F. CalvertCalvert, Albert Frederick
History
Southern Spain, Painted by Trevor Haddon, Described by A. F. Calvert
Calvert, Albert Frederick
Spain -- Description and travel
This admitted to the area which contained the palaces and also the
little town of the Alhambra--inhabited by persons attached to the
court, the ulema, chiefs of such powerful tribes as the Beni Serraj and
the Beni Theghri, discarded sultanas, ex-favourites, soldiers of
fortune, plenipotentiaries and envoys, and a crowd of parasites and
hangers-on. To-day the population is limited chiefly to one little
street, composed of pensions, photographers' shops and estancos. The
plan of the whole fortress no doubt varied from age to age, but in the
main agreed with that according to which most European strongholds were
constructed. There was the outer wall with its mural towers and
gatehouses; a strong inner ward, in place of a keep shut off by a ditch
or ravine; and two or more other enclosures, each defended by a wall
with a fortified entrance. It does not seem that the portcullis and
drawbridge were used by the Moorish engineers.
While the Kasba is generally attributed to an earlier dynasty, the outer
wall and the other Moorish buildings are almost unanimously ascribed to
Al Ahmar and his successors of the Nasrid dynasty. To reach the Alhambra
Palace, called pre-eminently by foreigners the Alhambra and by the
Spaniards the Alcazar, or Palacio Arabe, you pass across the plaza,
leaving the unfinished Palace of Charles V. to your right. Behind it you
find not an imposing and gorgeous structure, but what appears to be a
collection of tile-roofed sheds. A mean, characterless entrance admits
you to the far-famed palace.
Public-domain text, read in full here on John Shaqi.
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