Authors, English -- 19th century -- Biography; Southey, Robert, 1774-1843
In October, 1805, Southey started with his friend Elmsley for a short
tour in Scotland. On their way northward they stopped three days at
Ashestiel. There, in a small house, rising amid its old-fashioned garden,
with pastoral hills all around, and the Tweed winding at the meadow’s
end, lived Walter Scott. It was the year in which old Border song had
waked up, with ampler echoings, in the _Lay of the Last Minstrel_, and
Scott was already famous. Earlier in the year he had visited Grasmere,
and had stood upon the summit of Helvellyn, with Wordsworth and Davy by
his side. The three October days, with their still, misty brightness,
went by in full enjoyment. Southey had brought with him a manuscript
containing sundry metrical romances of the fifteenth century, on which
his host pored, as far as courtesy and the hours allowed, with much
delight; and the guests saw Melrose, that old romance in stone so dear
to Scott, went salmon-spearing on the Tweed, dined on a hare snapped
up before their eyes by Percy and Douglas, and visited Yarrow. From
Ashestiel they proceeded to Edinburgh. Southey looked coldly on the grey
metropolis; its new city seemed a kind of Puritan Bath, which worshipped
propriety instead of pleasure; but the old town, seen amid the slant
light of a wild red sunset, impressed him much, its vast irregular
outline of roofs and chimneys rising against tumultuous clouds like the
dismantled fragments of a giant’s palace. Southey was prepared to find
himself and his friends of the Lakes persons of higher stature than
the Scotch _literatuli_. Before accepting an invitation to meet him at
supper, Jeffrey politely forwarded the proof of an unpublished review
of _Madoc_; if the poet preferred that his reviewer should not present
himself, Mr. Jeffrey would deny himself the pleasure of Mr. Southey’s
acquaintance. Southey was not to be daunted, and, as he tells it himself,
felt nothing but good-humour on beholding a bright-faced homunculus of
five-foot-one, the centre of an attentive circle, ëënunciating with
North-British ëëlocution his doctrines on taste. The lively little
gentleman, who thought to crush _The Excursion_—he could as easily crush
Skiddaw, said Southey—received from the author of _Madoc_ a courtesy _de
haut en bas_ intended to bring home to his consciousness the fact that he
was—but five-foot-one. The bland lips of the gods who looked down on Auld
Reekie that evening smiled at the magnanimity alike of poet and critic.
Public-domain text, read in full here on John Shaqi.
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