Authors, English -- 19th century -- Biography; Southey, Robert, 1774-1843
So Southey pleaded in the _Quarterly Review_. With reference to
Emancipation and to the Reform Bill, he and Wordsworth—who, perhaps,
had not kept themselves sufficiently in relation with living men and
the public sentiment of the day—were in their solitude gifted with a
measure of the prophetic spirit, which in some degree explains their
alarms. For the prophet who knows little of expediency and nothing of
the manipulation of parties, nothing of the tangled skein of contending
interests, sees the future in its moral causes, and he sees it in a
vision. But he cannot date the appearances in his vision. Battle, and
garments rolled in blood, and trouble, and dimness of anguish pass
before him, and he proclaims what it is given him to see. It matters not
a little, however, in the actual event, whether the battle be on the
morrow or half a century hence; and the prophet furnishes us with no
chronology, or at best with some vague time and times and half a time.
New forces have arisen before the terrors of his prediction come to pass,
and therefore, when they come to pass, their effect is often altogether
different from that anticipated. Wordsworth and Southey were right in
declaring that a vast and formidable change was taking place in the
England of their day: many things which they, amid incredulous scoffs,
announced, have become actual; others remain to be fulfilled. But the
events have taken up their place in an order of things foreign to the
conceptions of the prophets; the fire from heaven descends, but meanwhile
we, ingenious sons of men, have set up a lightning-conductor.
Southey and the _Quarterly Review_ were often spoken of as a single
entity. But the _Review_, in truth, never precisely represented his
feelings and convictions. With Gifford he had no literary sympathies.
Gifford’s heart was full of kindness, says Southey, for all living
creatures except authors; _them_ he regarded as Isaac Walton did the
worm. Against the indulgence of that temper Southey always protested;
yet he was chosen to bear the reproach of having tortured Keats, and of
having anonymously glorified himself at the expense of Shelley. Gifford’s
omissions, additions, substitutions, often caused Southey’s article in
the _Review_ to be very unlike the article which he had despatched to
the editor in manuscript. Probably these changes were often made on
warrantable grounds. Southey’s confidence in his own opinions, which
always seemed to him to be based upon moral principles, was high; and he
was not in the habit of diluting his ink. Phrases which sounded well in
the library of Greta Hall had quite another sound in Mr. Murray’s office
in Fleet Street.
Public-domain text, read in full here on John Shaqi.
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