Authors, English -- 19th century -- Biography; Southey, Robert, 1774-1843
But already the past had subdued Southey, and if any future lay before
him it was a cloud lifeless and grey. In the autumn of 1838 he started
for a short tour on the Continent with his old friend Senhouse, his son
Cuthbert, John Kenyon, their master of the horse, Captain Jones, the
chamberlain, and Crabb Robinson, who was intendant and paid the bills.
On the way from Boulogne they turned aside to visit Chinon, for Southey
wished to stand on the spot where his first heroine, Joan of Arc, had
recognized the French king. At Paris he roamed along the quays and hunted
book-stalls. The change and excitement seemed to have served him; he
talked freely and was cheerful. “Still,” writes his son, “I could not
fail to perceive a considerable change in him from the time we had last
travelled together—all his movements were slower, he was subject to
frequent fits of absence, and there was an indecision in his manner and
an unsteadiness in his step which was wholly unusual with him.” He often
lost his way, even in the hotels; then laughed at his own mistakes,
and yet was painfully conscious of his failing memory. His journal
breaks off abruptly when not more than two-thirds of the tour had been
accomplished. In February, 1839, his brother, Dr. Southey—ever a true
comrade—describes him as working slowly and with an abstraction not usual
to him; sometimes to write even a letter seemed an effort. In midsummer
his marriage to Caroline Bowles took place, and with her he returned to
Keswick in August. On the way home his friends in London saw that he was
much altered. “The animation and peculiar clearness of his mind,” wrote
Henry Taylor, “was quite gone, except a gleam or two now and then....
The appearance was that of a placid languor, sometimes approaching
to torpor, but not otherwise than cheerful. He is thin and shrunk in
person, and that extraordinary face of his has no longer the fire and
strength it used to have, though the singular cast of the features and
the habitual expressions make it still a most remarkable phenomenon.”
Still, his friends had not ceased to hope that tranquillity would restore
mental tone, and he himself was planning the completion of great designs.
“As soon as we are settled at Keswick, I shall resolutely begin upon
the _History of Portugal_, as a duty which I owe to my uncle’s memory.
Half of the labour I consider as done. But I have long since found the
advantage of doing more than one thing at a time, and the _History of the
Monastic Orders_ is the other thing to which I shall set to with hearty
good-will. Both these are works of great pith and moment.”
Public-domain text, read in full here on John Shaqi.
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