Authors, English -- 19th century -- Biography; Southey, Robert, 1774-1843
“Summer,” writes Southey, “is not the season for this country. Coleridge
says, and says well, that then it is like a theatre at noon. There are
no _goings on_ under a clear sky; but at other seasons there is such
shifting of shades, such islands of light, such columns and buttresses
of sunshine, as might almost make a painter burn his brushes, as the
sorcerers did their books of magic when they saw the divinity which
rested upon the apostles. The very snow, which you would perhaps think
must monotonize the mountains, gives new varieties; it brings out their
recesses and designates all their inequalities; it impresses a better
feeling of their height; and it reflects such tints of saffron, or fawn,
or rose-colour to the evening sun. _O Maria Santissima!_ Mount Horeb,
with the glory upon its summit, might have been more glorious, but not
more beautiful than old Skiddaw in his winter pelisse. I will not quarrel
with frost, though the fellow has the impudence to take me by the nose.
The lake-side has such ten thousand charms: a fleece of snow or of the
hoar-frost lies on the fallen trees or large stones; the grass-points,
that just peer above the water, are powdered with diamonds; the ice on
the margin with chains of crystal, and such veins and wavy lines of
beauty as mock all art; and, to crown all, Coleridge and I have found out
that stones thrown upon the lake when frozen make a noise like singing
birds, and when you whirl on it a large flake of ice, away the shivers
slide, chirping and warbling like a flight of finches.” This tells of
a February at Keswick; the following describes the _goings on_ under
an autumn sky:—“The mountains on Thursday evening, before the sun was
quite down or the moon bright, were all of one dead-blue colour; their
rifts and rocks and swells and scars had all disappeared—the surface
was perfectly uniform, nothing but the outline distinct; and this even
surface of dead blue, from its unnatural uniformity, made them, though
not transparent, appear transvious—as though they were of some soft or
cloudy texture through which you could have passed. I never saw any
appearance so perfectly unreal. Sometimes a blazing sunset seems to steep
them through and through with red light; or it is a cloudy morning, and
the sunshine slants down through a rift in the clouds, and the pillar of
light makes the spot whereon it falls so emerald green, that it looks
like a little field of Paradise. At night you lose the mountains, and the
wind so stirs up the lake that it looks like the sea by moonlight.”
Public-domain text, read in full here on John Shaqi.
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