Soyer's Culinary Campaign: Being Historical Reminiscences of the Late War.: With The Plain Art of Cookery for Military and Civil InstitutionsSoyer, Alexis
History
Soyer's Culinary Campaign: Being Historical Reminiscences of the Late War.: With The Plain Art of Cookery for Military and Civil Institutions
Soyer, Alexis
Cooking for military personnel; Crimean War, 1853-1856
It was midnight ere this jovial party broke up; and a few minutes after
I was on my way home. The sentry on duty at the Col of Balaklava was
calling out, with the lungs of a Stentor, “Who goes there?” to a group
bearing lighted torches coming towards him; and several voices, in a
mournful tone, replied, “Friends.”
“Pass, friends.” A sudden change of scene and sensation soon took place!
On approaching the group, and inquiring what was the matter, I perceived
four Sardinian soldiers bearing a sick officer upon a stretcher. He was
followed by several others. The Sardinians at that time suffered
terribly from fever and cholera, and their daily loss of men was
something fearful. They were admitted to the General Hospital, as there
was not sufficient room in their own.
Following the group with solemn interest as far as the General Hospital,
I learned that the precious burden they were carrying was one of the
bravest officers of this small though perfect model of an army. It was a
Major Crossetti, in the bloom of life, his age only six-and-thirty, who
was suddenly attacked by cholera; and Miss Wear (the head lady under
Miss Nightingale) begged of me to go and offer consolation, as well as
to interpret and explain to the doctors what his servant required. He
had then only just been attacked. In less than two hours, the fatal
malady had increased to that extent that no hope was entertained of
saving him, though every attention had been immediately afforded. Alas!
all was of no avail.
The contraction and sudden change of one of the finest and noblest
military faces I ever beheld, graced by a beard of an auburn tinge, to
the hideous transformation caused by that awful disease, will never be
effaced from my memory, and is far too piteous to be described. I
remained with him more than three hours, but he died during the night;
his poor servant, a Savoyard, who had been with him from his boyhood,
wept bitterly. Miss Wear, though very unwell, remained at his side till
he had expired. He kept asking, his moist hand clasped in mine,
“Pensez-vous que je vais mourir?”--Do you think I am about to die?
“No, no! impossible, so young!” I ejaculated.
“I would not care if it were on the field of battle; but I have done
nothing for my country in this war.”
The words I addressed to him seemed to console him greatly. Miss Wear,
however, informed me privately that the case had taken such a turn that
nothing could save him.
A few days prior to my departure from the Crimea, my final reminiscence
of this noble departed soldier was to see his name engraved on marble in
letters of gold on the grand national Sardinian Monument so
picturesquely situated on the summit of the high rock above the
Sanatorium.
Public-domain text, read in full here on John Shaqi.
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