Impostors and imposture -- Fiction; Love stories; Science fiction; Space stations -- Fiction
The big gray building with the shuttered windows continued to occupy
most of his attention, and he walked very resolutely toward it, his
eyes on the glimmer of pale light which marked its wide doorway. He was
still fifty feet away when he saw the guard, standing very quietly just
inside the door with his hand on his gun holster.
Corriston's lips tightened, but he did not moderate his stride. He had
a reply ready if the guard challenged him. He preferred to believe that
he would not be challenged, but he had no intention of taking anything
for granted.
He continued on until he reached the doorway and then he stopped
abruptly. He waited for the guard to say something, but the man did not
speak at all. He simply stared quietly at Corriston for an instant, and
then stepped quickly back into the shadows. Corriston went on past him,
and advanced along the wide corridor that stretched before him.
The wide central staircase that circled up did not seem appropriate
to a building that was not a residence and Corriston found himself
wondering if Ramsey had turned the other four buildings into similarly
unusual expressions of his own strong-willed orientation to reality.
The buildings had undoubtedly been designed as administrative units
of an industrial empire--a beginning empire in a new world. An empire
predatory, avaricious, merciless. Yet Ramsey had seemingly allowed his
desire for a home to gain dominance here, had allowed the emotions
common to all men to influence his taste in interior architecture in at
least one of the buildings.
Chalk up that much to Ramsey's credit. In that respect at least, he
was superior to Henley. In that respect at least a man of good will
could take sides, all apart from the personal issues involved. Henley
was a predatory vulture on all counts, his talons constantly spread,
constantly crimson-tipped. Ramsey was a vulture too, but in the depths
of his mind he knew it. Part of the agony was shared by him, and in
one desperate, despairing part of his personality he had tried to be
creative.
Corriston ascended the staircase swiftly, casting one brief glance at
some murals and then ignoring them. The second floor landing stretched
away into shadows, bisected by a wide corridor dimly lighted by
overhead lamps. The second floor had an administrative building aspect
and so did the third floor, which seemed in all respects its exact
duplicate.
Corriston's excitement grew as he mounted the stairway. He felt like
a man poised on the brink of a precipice with no assurance that he
would not be hurled to his death; a man aware that tragedy would not
strike him like a thunderbolt at any moment; and yet also like a man
who thought and felt differently from the trapped and the desperately
despairing.
He felt very confident, very sure of himself, and it seemed to him that
there was no danger that he could not surmount, and deep within him
there was something that exulted in the thought and kept him moving
steadily upward.
Public-domain text, read in full here on John Shaqi.
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