Finer even than the architecture and the exterior of the buildings is the church furniture in Spain. It is unsurpassed for beauty and interest. The carved and sculptured wood-work in some of the cathedrals is finer than even that of the Netherlands and of Germany. The storied screens and choir stalls at Toledo; the retablos of Gerona and Salamanca, of Avila and Seville; the choir fittings of Santiago, Zamora, and of Burgos; the lecterns and pulpits both of brass and wood; and the rails and gates and screens of noblest metal-work are often of simply grand proportion; nay, even the polychrome wooden statues in the churches will often be found to be of rarest beauty. The monuments erected to the memory of the dead are equal to anything which affection and piety have raised elsewhere, from that of Archbishop Maurice at Burgos, in the thirteenth century--of the tombs of the constable and of those of Juan II. and Isabel of Portugal, in the Cartuja de Miraflores, of the fifteenth century; and that of Prince Juan, the only son of Ferdinand and Isabella, at Avila, erected in 1497--down to the noble mausoleum of inlaid metal-work by Zuloaga, lately placed in the Church of the Atocha to the memory of Prim. In these and many more, Spain can show a sequence able to vie with that of any other land. Hardly less beautiful are the minor accessories of Catholic worship; the gold and silver smiths' work of the chandeliers, the jewelled work of crosses, custodias or shrines, and sacred vessels is often worthy of admiration. In all such works of art, before the pillage of the French in the war of liberation, and the destruction of the convents, Spain was probably one of the richest of Christian lands. If we seem to insist too much on ecclesiastical art in Spain, it is because, as we shall see still more clearly in the case of painting, art has here concentrated its choicest effort on religious subjects, and in them has won its greatest triumphs. Except, perhaps, in arms and in porcelain, in portrait-painting and in furniture, all the masterpieces of Spanish art are in some sense ecclesiastical. Take away religion from her art, how poor would be the residue, for even Arabian and Moslem art in Spain were essentially religious. _Painting._