From the close of the seventeenth and through the greater part of the eighteenth century, literature partook of the progressive decadence of all things in Spain. It withered and declined under the double censure and oppression of the king and of the inquisition. The theatre, which had striven hard in Spain to become the ally, or even the handmaid, of the Church, was contemptuously thrust aside by the latter, and within a century of Calderon's death, not even an Infanta could procure permission from the inquisition for a comedy in time of carnaval. No history of any value could be written under such conditions; the only outlet for literary skill lay in religious and mystic writings, which are of singular beauty. The classical and grammatical movement of the Renaissance which had begun so well under the patronage of Juan de Cisneros, Cardinal Ximenes, the great minister of Charles V., and the chief monument of which is the Complutensian Polyglot Bible of 1514-17, and its greatest scholar, Antonio de Nebrija, soon died away, and the Spanish universities, which for a while had been the admiration, became, in the eighteenth century, the laughing-stock of Europe. Of the earlier period we may mention among the religious writers Luis de Granada (1505-68), Santa Teresa (1515-82), the Jesuit, Ribadeneyra (1527-1611), Juan de la Cruz (1542-91); but even this literature degenerated into casuistry and mere technical scholasticism. Spanish religious poetry is, however, far more copious and of greater excellence than is generally supposed. It has been studied and collected in our own day by the opposite schools of the Spanish Protestants, and by the champion of orthodoxy, Menendez Pelayo. There is little to notice in Spanish literature from this time until the rise of the doctrinaire and economical writers of the reign of Carlos III., who for the most part closely followed the contemporary school of French publicists and encyclopaedists. Among these are Padre Benito Feyjoo, who was the first to protest against the absence of science and true learning in Spain; the Padre Isla (1703-81), decidedly one of the wittiest of Spanish writers and satirists; Jovellanos (1744-1811), the best statesman and political writer of his time, and in the purer walks of literature the two Moratins (1737-1828). One or two philological works, far in advance of their age, made now their appearance, such as the tracts of Padre Sarmiento (1692-1770) on the Spanish language; the works of the Jesuits Larramendi (1728-45) on the Basque, and of Hervas (1735-1805) on general philology. To this period also belongs the magnificent collection entitled, "La Espana Sagrada," commenced by Florez (1754-1801), and, after many interruptions, completed only in 1880.