Spain and Her Colonies, Compiled from the Best Authorities
History
Spain and Her Colonies, Compiled from the Best Authorities
Spain -- History
The next afternoon (Sunday is usually the day) all the world crowds to
the Plaza de toros; nothing, when the tide is full, can exceed the
gayety and sparkle of a Spanish public going, eager and dressed in their
best, to the fight. All the streets or open spaces near the outside of
the arena are a spectacle. The bull-fight is to Madrid what a review is
to Paris, and the Derby to London. Sporting men now put on all their
majo-finery; the distinguished ladies wear on these occasions white lace
mantillas; a fan, abanico, is quite necessary, as it was among the
Romans. The aficionados and “the gods” prefer the pit, tendido, the
lower range, in order, by being nearer, that they may not lose the nice
traits of tauromaquia. The Plaza has a language to itself, a dialect
peculiar to the ring. The coup d’œil on entrance is unique; the
classical scene bursts on the foreigner in all the glory of the south,
and he is carried back to the Coliseum under Commodus. The president
sits in the center box. The proceedings open with the procession of the
performers, the mounted spearmen, picadores; then follow the chulos, the
attendants on foot, who wear their silk cloaks, capas de durancillo, in
a peculiar manner, with the arms projecting in front; and, lastly, the
slayers, the espadas, and the splendid mule-team, el tiro, which is
destined to carry off the slain. The profession of bull-fighter is very
low-caste in Spain, although the champions are much courted by some
young nobles, like the British blackguard boxers, and are the pride and
darlings of all the lower classes. Those killed on the spot were
formerly denied the burial rites, as dying without confession, but a
priest is now in attendance with Su Magestad (the consecrated Host),
ready to give always spiritual assistance to a dying combatant.
When all the bull-fighting company have advanced and passed the
president, a trumpet sounds; the president throws the key of the cell of
the bull to the alguacil or policeman, which he ought to catch in his
feathered hat. The different performers now take their places as
fielders do at a cricket match. The bull-fight is a tragedy in three
acts, lasts about twenty minutes, and each consists of precisely the
same routine. From six to eight bulls are usually killed during each
“funcion”; occasionally another is conceded to popular clamor, which
here will take no denial.
Public-domain text, read in full here on John Shaqi.
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