Spain in 1830, vol. 1Inglis, Henry D. (Henry David)
History
Spain in 1830, vol. 1
Inglis, Henry D. (Henry David)
Spain -- Description and travel
The parents of Murillo saw no good likely to arise from an inclination
for daubing the walls, and scratching the brick floors; and did all that
lay in their power to discourage it; but the boy knew his calling, and
still continued to disappoint the hopes of his father, who had destined
him for the church; and to exhaust the patience of his mother, who, as
it is said, returning one day from mass, found that her only picture,
which she prized highly--an infant Christ and a lamb--had suffered an
extraordinary transformation. Murillo had taken the glory from the head
of the Christ, and substituted his own little hat, intending to
represent himself; and the lamb he had converted into a dog--an animal
in which he took great delight. Murillo was then too young to be
conscious of any impiety in this transformation; the bent of his mind
through life, was wholly averse from this: but his parents, despairing
of a cure, thought it advisable to let him have his own way, and sent
him to the house of his kinsman, _Juan de Castillo_, who undertook to
teach the youthful Murillo the first principles of design and colouring.
This Castillo was no despicable hand; especially in the art of
colouring, for a knowledge of which, he was partly indebted to Luis de
Varjas, who had sometime before returned to Seville from Italy, bringing
along with him the knowledge which he had acquired in Florence. Besides
the youthful Murillo, Castillo could boast of several other disciples in
his school; particularly Pedro de Moya,--of whom, more hereafter,--and
Alonzo Cano, whose freedom of touch, natural design, and charming
colouring, afterwards secured for him a high rank among Spanish
painters. But Murillo, whose genius was of still a loftier kind, soon
supplanted his companions in the favour of his master, by the yet more
rapid progress which he made in the art; but he continued,
notwithstanding, to discharge the menial offices of grinding the
colours, cleaning the brushes, and preparing the canvas,--such being the
original conditions upon which he had been admitted into his relation’s
workshop.
There was at this time much rivalry among the masters in Seville, each
of whom had a school in his own house,--and this rivalry was fully
partaken by their pupils; for the reputation of the schools necessarily
depended, in a great measure, upon the proficiency of the pupils.
Murillo felt deeply interested in the honour of his kinsman’s school;
and he, probably perceiving in his young disciple, a promise of
excellence that might afterwards reflect honour upon himself, was the
more assiduous in his instructions; so that, after a few years, Murillo
had well nigh exhausted the information which his master was able to
communicate.
Public-domain text, read in full here on John Shaqi.
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