Spain in 1830, vol. 1Inglis, Henry D. (Henry David)
History
Spain in 1830, vol. 1
Inglis, Henry D. (Henry David)
Spain -- Description and travel
Murillo, struck with the improvement of his former companion, set
himself to imitate his style; but fortunately for Murillo, who might
otherwise have degenerated into a copyist, Moya soon quitted Seville,
and he was left to his aspirations and his difficulties. Conscious of
his own great imperfections, he had obtained a glimpse of what might be
the reward of courage and perseverance; and his desires suggested many
projects for their gratification. It is a trying, and yet a happy moment
for genius, that in which humility and pride arise together, bringing
with them the discovery, that the past has been a blank leaf in
existence; but begetting a desire to turn over another, and to fill it
with things that shall never be blotted out. Such was, doubtless, the
state of the young painter’s mind, when he resolved upon quitting his
native city, and seeking in Flanders, or Italy, the opportunities by
which he might hope to realise his dream of fame.
But Murillo was without money, and without friends; and how could he
travel to Flanders or Italy? His reputation in Seville, as a painter,
was small; for although his practice of working for the fair, had in
reality increased his powers, it was little likely to add to his
respectability; and it was a question, therefore, not easily solved, how
he should obtain the means of effecting his design. But even in this
extremity, courage did not desert him; and an expedient was found, by
which he might modestly replenish his purse. He purchased a large piece
of canvas; primed it himself; and dividing it into unequal parts,
painted upon it, every possible variety of subject,--saints, landscapes,
animals, flowers,--but particularly devotional pieces. With this
treasure, he went to Cadiz, to tempt the masters of the India vessels.
Among so many subjects, the taste of every one could find something to
gratify it, and he returned to Seville without any of his canvas, and
with a little stock of pistoles.
Murillo did not now delay a moment longer the execution of his purpose.
Communicating his design only to his brother, who lived at Seville in
the house of an uncle, he left his native city at the age of
twenty-four, to return, and afterwards enrich it with undying memorials
of that genius which is the glory of Spain, and the just pride of the
city where it was chiefly exercised.
Public-domain text, read in full here on John Shaqi.
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