Spain in 1830, vol. 1Inglis, Henry D. (Henry David)
History
Spain in 1830, vol. 1
Inglis, Henry D. (Henry David)
Spain -- Description and travel
It is a common idea, that in Spain, the pictures of Murillo are scarce;
and that the galleries, churches, and convents, have been despoiled of
their greatest treasures. This idea is very erroneous. Spain has, no
doubt, been robbed of some of her choicest paintings, and some have
found their way into other countries as objects of traffic; but the
Peninsula is still rich in the works of Murillo. In the gallery of
Madrid, of which I shall presently speak, there are thirty pictures of
Murillo’s, two-thirds of them at least, undoubted originals. In the
Cabinet of Natural History, three of the greatest productions of his
pencil are found. In private collections in Madrid, particularly in
those of the Duke of Medina Cœli, the Duke of Liria, Sir John Meade, and
some other individuals, there may be nearly an equal number. In Seville,
the twenty-five pictures painted for the Capuchin convent, are all in
their places. In the hospital _de la Caridad_, there are four of
Murillo’s greatest productions. The collection of Mr. Williams of
Seville, is distinguished by twelve Murillos; and in other private
houses in Seville, perhaps as many more may be found. In the cathedral
there are six or eight; and in Cadiz, in the possession of Mr.
Brackenbury--in Murcia,--and particularly in Valencia, Murillos may be
discovered by any lover of the fine arts, whose inquiries are directed
towards that object.
The present government of Spain watches over the works of Murillo with a
jealousy, that is not shewn in any thing else that concerns the
prosperity or the honour of the country. By a late government order, the
works of Murillo are prevented from leaving Spain; but as bribery is
able to conquer many difficulties in that country, the exportation of
pictures is not impossible.
CHAPTER VII.
MADRID.
The Picture Gallery; the Works of Murillo; the Annunciation; the
Virgin instructed by her Mother; Landscapes; Velasquez and his
Works; Meeting of Bacchanalians; the Forges of Vulcan; Españoletto,
and his Works; Villavicencio; Juanes; Alonzo Cano; Cerezo; Morales;
Juanes’ Last Supper; the Modern Spanish School; Aparicio; the
Famine in Madrid; Italian Gallery; Flemish School; the _Sala
Reservada_; Statuary; Cabinet of Natural History; _Sala Reservada_;
the Patrician’s Dream; the _Desengaño de la Vida_; Private
Collections; the Duke of Liria’s Gallery; Churches and Convents;
Church of San Isodro; San Salvador; Santa Maria; San Gines;
Santiago; San Antonio de Florida; Convent of Las Salesas; de la
Encarnation; the Franciscans; Santa Isabella; Hidden Pictures; San
Pasqual; Santa Teresa; the Palace.
Public-domain text, read in full here on John Shaqi.
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