Spain in 1830, vol. 1Inglis, Henry D. (Henry David)
History
Spain in 1830, vol. 1
Inglis, Henry D. (Henry David)
Spain -- Description and travel
While I was in Madrid, the favourite pastime of the king and queen was
of rather an extraordinary kind; especially as the queen was on the eve
of her accouchement. It consisted in looking at the wild beasts, which
are kept in the Retiro. Almost every evening about five o’clock, the
royal carriage might be seen crossing the Prado, on its way towards the
menagerie; and as the Retiro was generally my afternoon lounge, I had
frequent opportunities of seeing this royal diversion. There is a large
square court about 200 yards across, inclosed with iron railings, and
round the interior of this court, are the cages of the wild animals; and
in this court, sat the king and queen upon a bench, while the animals
were turned out for their amusement,--such of them at least as were
peaceable,--camels, elephants, zebras, &c. &c. The keepers mounted upon
the backs of the animals, and made them trot round the area; and when
this had been done often enough to please their majesties, the beasts
were led in front of their royal visitors, and made to kneel,--which act
of homage however they sometimes refused to perform. Upon one occasion,
the man who rode the camel, not being able to keep his seat, turned his
face towards the tail, sitting upon the neck of the animal; their
majesties were in ecstasies at this exhibition; the king, I thought,
would have died with laughing.
I was witness, another time, to a strange scene of rivalry between the
king and Don Carlos. When the king’s carriage drove up to the gate of
the court, Don Carlos and his wife and family were seated in the area,
and his carriage was in waiting: upon this occasion, the king arrived in
state; a party of dragoons attended him, and his coachmen were in court
dresses. The carriage of Don Carlos was in strange contrast with that of
the king; it was drawn by six mules, harnessed with ropes; in place of
postilions in court dresses, his servants were in the dress of Spanish
peasants in their holiday clothes,--one on the coach-box,--the other
employed as a runner by the head of the mules. Don Carlos affects all
this appearance of simplicity and Spanish usage, to please the people;
and for the same reason, his wife generally appears in a mantilla. The
moment the king’s carriage appeared, Don Carlos left the court with his
wife, and continued to walk in the most crowded part of the garden while
the king and queen remained, dividing the attention which their
majesties would otherwise have received, and indeed engrossing the
larger share of it. I could not avoid remarking the greater popularity
of Don Carlos among the lower orders: while they only took off their
hats as the king passed, they bowed almost to the ground at the presence
of the Infante. The appearance of the queen, however, always produced a
favourable impression, especially when contrasted with that of her
aspiring rival. One cannot look at the spouse of Don Carlos, without
perceiving that she covets a crown; while in the countenance of the
Public-domain text, read in full here on John Shaqi.
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