Spain in 1830, vol. 1Inglis, Henry D. (Henry David)
History
Spain in 1830, vol. 1
Inglis, Henry D. (Henry David)
Spain -- Description and travel
The house which I select for a description of its interior, as a fair
sample of the dwelling-houses of the middle classes in Madrid, belonged
to a gentleman holding a government appointment of 50,000 reals
(500_l._) per annum; which may be equal to about 700_l._ a-year in
London: and, with very few variations, this house may be taken as an
average specimen of the houses of professional men, _employées_, and
independent persons, of from 500_l._ to 1,000_l._ per annum. The
principal room, answering to the English drawing-room, is large, and
well-lighted; a handsome straw matting, worked in a pattern of coloured
flowers, and which looks quite as pretty as a carpet, entirely covers
the floor, which is generally of brick. There is no fire-place in the
room; the walls and roof are both what is called stained, and this is as
well executed as I have ever seen it in England; and the furniture of
the room consists of a large mahogany sofa, with hair cushion, covered
with flowered black satin; mahogany chairs, with green and
straw-coloured basket-seats; four small mahogany tables, of good
material, and prettily carved, and a large round table in the centre of
the room--just an English loo-table--upon which stands a handsome
service of china; a mirror, and two marble slabs between the windows,
and a few pictures--copies from Spanish masters,--complete the
furniture: but let me not omit five or six low stools, scattered here
and there; for every lady has her footstool.
At one end of this room, opening from the side, is a recess, twelve or
thirteen feet square, and not concealed by any curtain. This is a
bed-room,--a bed-room too in constant use. The bedstead is of steel or
brass wire; the bed is covered with a counterpane, trimmed with broad
lace; the furniture is all of mahogany, and the wash-hand basin and ewer
are of brass.
A wide archway opening at the other end of the drawing-room, leads to an
ante-room, covered with the same matting as the drawing-room, and
furnished with a couch, chairs, and footstools, covered with blue satin.
At the side of this ante-room is another recess, open like the other,
containing two beds, between them a small marble slab, with a vessel of
holy-water, and at the head of each a small image of Christ in ivory.
This is the matrimonial chamber. The rest of the house consists of a
long, tortuous, and rather dark passage, from which the other rooms
enter: these are, a small parlour, or study, always poorly fitted up; a
boudoir, with a low couch covered with black satin, a couple of
footstools, a table, and very handsome looking-glass; this important
room is either matted, or floored with Valencia tiles; and the walls are
generally covered with a French paper, and adorned or disfigured as the
case may happen, with a few pictures, religious, or of an opposite
character, or both, according to the taste of the señora.
Public-domain text, read in full here on John Shaqi.
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