Spain in 1830, vol. 1Inglis, Henry D. (Henry David)
History
Spain in 1830, vol. 1
Inglis, Henry D. (Henry David)
Spain -- Description and travel
When the vows that could never be recalled had been pronounced by this
misguided child, she stepped back, and threw herself prostrate upon the
ground,--this is the act confirmatory of her vows,--symbolical of death,
and signifying that she is dead to the world. The service was then
resumed,--a bell continued slowly to toll; and the priest read; while
the nuns who stood around their new-made sister, responded,--“dead to
the world--separated from kindred--bride of heaven!” and the nun who
lies prostrate is supposed, at the same time, to repeat to God in
secret, the vows she has already pronounced aloud. When this was
concluded, a slow organ peel, and a solemn swell of voices rose, and
died away; and the abbess then raised the nun from the ground, and
embraced her; and all the other nuns and her relations also embraced
her. I saw no tear upon any cheek, excepting upon the cheek of the
abbess, whose face was so full of benignity, that it half reconciled me
to the fate of the young initiated who had vowed obedience to her. When
she had embraced every one, she again knelt for a few moments, and then
approached the grating along with the abbess; and the priest handed to
the abbess through the opening, the vestments of a nun. Then came the
last act of the drama:--the crown was lifted from her head; the black
vestment was put on, and the girdle and the rosary; and the black hood
was drawn over her head;--she was now a nun, and she again embraced the
abbess and all the sisters. Still I could not discover a single tear,
excepting on the cheek of the abbess, who continued to weep almost
without ceasing to the very end: the countenance of the young nun
remained unmoved. The crown was again replaced upon her head, to be worn
all that day; the sacrament was administered, and one last embrace by
friends and relations terminated the scene.
I had thus seen what I had long felt so much anxiety to see,--“taking
the veil;” and I found it, at the same time, a stirring and a melancholy
spectacle: stirring, because it filled the mind with indignation against
those whose cruel and insidious counsel had misled an innocent girl; and
melancholy, because it pointed to a life uncheered by life’s sweetest
charities,--unblest by its holiest ties,--life without interest, without
change, without hope; its sources of enjoyment dried up; and its wells
of affection frozen over.
Public-domain text, read in full here on John Shaqi.
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