Spain in 1830, vol. 1Inglis, Henry D. (Henry David)
History
Spain in 1830, vol. 1
Inglis, Henry D. (Henry David)
Spain -- Description and travel
A few weeks afterwards, I was present at another bull-fight. I have no
intention of describing this also; but I gathered some information from
it that had escaped me upon the former occasion. This time, I paid more
attention to the demeanour of the people, than to the fight; and instead
of securing a place in the boxes, I took my seat in the commonest
division, that I might the better observe the character of the lower
orders. It is not at all unusual for those of the nobility who are
amateurs of the bull-fight, to place themselves among the lowest
classes; a true lover of the bull-fight likes to be under no
restrictions, but to express his delight as loudly as a peasant. In that
place he is at his ease; he gives himself up to the full enjoyment of
his passion; he applauds, he condemns, and gives vent to his joy like
the people that surround him. This is true happiness to him. It is said
that Don Francis occasionally disguises himself; and enjoys, even though
Infante, the pleasure of a water-carrier.
At this fight, all the bulls were indifferent excepting one; but he
proved himself a perfect master of the science. He rushed first at one
picador and then at the other, and overthrew both the horses and their
riders; killing both horses, and wounding one of the picadores. Two
fresh picadores immediately appeared; and these, he served in a
precisely similar way: but the overthrow was more tragical--one of the
horses and his rider were raised fairly into the air; and the horse
falling so as to crush the rider between its body and the fence, he was
killed upon the spot. The bull was now master of the arena; he had
cleared it of men--three horses lay dead--and he stood in the midst,
lashing his tail, and looking round for another enemy. This was a time
to observe the character of the people. When the unfortunate picador was
killed, in place of a general exclamation of horror, and loud
expressions of pity, the universal cry was “_Que es bravo ese toro!_”
Ah, the admirable bull!--the whole scene produced the most unbounded
delight; the greater horror, the greater was the shouting, and the more
vehement the expressions of satisfaction--I did not perceive a single
female avert her head, or betray the slightest symptom of wounded
feeling. Accidents do not occur so frequently as a spectator would be
apt to imagine: danger is in fact more apparent than real, because those
who engage the bull are well trained to the combat. There is, both in
Madrid and at Seville, a regular school of instruction, where those
destined for Las Corridas, practise the art with young animals; and
excepting the matadores, who are occasionally killed, no other of the
combatants runs great risk from the bull. When the picador is killed,
the catastrophe is always occasioned by the horse falling upon his
rider, or crushing him against the inclosure.
Public-domain text, read in full here on John Shaqi.
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