Spanish America, Its Romance, Reality and Future, Vol. 1 (of 2)Enock, C. Reginald (Charles Reginald)
History
Spanish America, Its Romance, Reality and Future, Vol. 1 (of 2)
Enock, C. Reginald (Charles Reginald)
Latin America
"The commonest dance among the Indians is a slow, almost
automatic _rondo_, the head continually rising and falling
and turning from side to side. In another dance the dancers
form couples, keeping their ground, and facing one another,
accelerating their steps only at the end of each figure.
"During Lent the majority of the natives do not employ any
instrumental music, but, on the other hand, they attend
nocturnal gatherings known as _chochus_, at which young people
of both sexes dance round a cross and sing psalms. There is
absolutely nothing edifying about these functions, those taking
part in them displaying a most disconcerting cynicism. On Easter
Day the Indians wear their gala costumes, and ornament their
hats with flowers and ribbons; they make up for their forty
days' silence, and fill the air with the sound of _quenas_,
_sicus_ and tambourines. But even while dancing they are never
gay; their sombre natures unbend only under the influence of
drink.
"Among the strange and savage customs of the natives, we must
not forget to mention the fights with whips which take place
in certain provinces on Good Friday. On the occasion of the
procession of the Sepulchre the Indians build altars along
the route of the procession. The latter takes place always at
night. Once it is over the altars are demolished by two separate
groups--the Huarcas and the Incas, who at once begin to strive
for victory. The two groups then assemble in the public place or
square, and lash one another with implacable ardour. Triumph or
failure is a good or bad omen for the year's harvest.
"Poetical songs, accompanied on the _quechua_, are known as
_yaravis_. They are greatly appreciated by the natives. The
Quechua _yaravis_ have been to some extent improved by the
modern Bolivians. They are usually a species of round, with a
good deal of repetition; each stanza has four to ten lines.
These songs reflect the dreamy and sombre character of the
race. Love is always their subject; a melancholy, plaintive and
monotonous passion.
Public-domain text, read in full here on John Shaqi.
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