Spanish America, Its Romance, Reality and Future, Vol. 2 (of 2)Enock, C. Reginald (Charles Reginald)
History
Spanish America, Its Romance, Reality and Future, Vol. 2 (of 2)
Enock, C. Reginald (Charles Reginald)
Latin America
This type of architecture is, naturally, more intensively represented
in those parts of the Spanish American Continent which were the
principal seats of viceregal rule, such as Mexico and Peru, but the
style predominates throughout the whole of Central and South America,
and in the West Indian Islands, such as Cuba and Santo Domingo, which
were under Spanish sway. The example set, the style was followed to
a considerable extent after the time of Independence, and with some
modification, subservient to modern economic, domestic or commercial
requirements, is employed in modern erections. Here, however, a new
note has been introduced, an unpleasing note, and the dignified and
quaint "classic" of the Colonial architecture has to some extent given
place to a cheaper-appearing "Gothic," which, beside the older style,
often appears frivolous or tawdry, although its exponents may derive
some satisfaction from their claim to be "modern" and "progressive."
The façades of the streets--and the circumstance is notable especially
in the larger cities--has in some cases been vulgarized by the
erection of huge business premises or blocks, in which the utilitarian
has triumphed over the dignified and chaste.
There is less call for comment on this last-named condition in such
centres as Buenos Ayres and others, which have sprung to being in
comparatively recent times, and even Rio de Janeiro; but even here,
as in modern Rio de Janeiro, the old chaste style has been widely
reproduced and perpetuated, side by side with the "commercial" order
and the somewhat riotous stucco architecture of the plutocratic
residence.
The principal features of the Colonial style of street architecture are
the square-headed windows with their moulded architraves, and, more
elaborately, pediments, and the prominent cornices, friezes and sills.
The balcony to the upper windows, and the _rejas_ or iron grilles,
to the lower--the latter originally and indeed still a necessary
safeguard, from various causes--are the most prominent features,
together with the wide _saguan_ or principal doorway, high enough for a
mounted horseman to enter, giving access to the _patio_ or courtyard,
around which, generally open to the sky, the interior doors and windows
are disposed--a type, of course, inherited from the Moors through
Spain. The houses are built close against the street. There is no
garden or space in front, but the _patio_ is generally planted, often
beautifully so, with shrubs and flowers, often with the addition of a
fountain. Around the upper wall of the _patio_ a gallery runs, reached
by an outside staircase, giving access to the various apartments of the
first floor.
Public-domain text, read in full here on John Shaqi.
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