The horse’s barding appears to have been the work of Daniel Hopfer of Augsburg, who co-operated in many instances with Colman. All the component parts are gilded, and etched by means of aqua-fortis, the decoration consisting of imbrications or overlapping of festoons, in open-work or relief. Each imbrication encloses two cherubim in the attitude of striking with sparkling flint bars, and in each festoon is a rose and three pomegranates surrounding it. The first are emblems of the Golden Fleece; the rose alludes to one of the seigneuries of the Emperor; and the pomegranates are a favourite device adopted by the children and grandchildren of Ferdinand and Isabel, in memory of the triumph over the Moors at Granada. The iron borne by the horseman weighs thirty-six kilos., and the horse’s bard and saddle as much more: if the weight of an average man be added the result is about 150 kilos, carried by the horse. The most notable features of the suit A27 (plates 22, 98, 143), which is mainly composed of extra or reinforcing pieces, are the helmet, called celada de infante, with serrated comb, decorative bands, deep pointed visor forming a strong reinforcing piece, beavor “bellows-pattern” with alternate ridges and rows of perforations, and laminated gorget plates; and the target screwed to the left shoulder. This defence was only used at tilts and tournaments. It is concave and trellised, and is beautifully engraved by Daniel Hopfer. On it may be seen several birds of the same kind (herons?) in the act of attacking an eagle in the centre, which has one of them a prisoner in its talons--possibly an allusion to the alliances promoted by Francis I. of France against Charles V., after the former refused to comply with the Treaty of Madrid. The suit A37-42 (plate 23) is a tilting harness of burnished steel, probably that in which the Prince appeared in the lists at Valladolid in 1518. The most important piece is the tilting-helm, which weighs more than nineteen kilogrammes. Divided vertically at the sides in two halves, which are joined by means of six sliding springs, it was put on by screwing the back part to the backplate and the front part to the over-breastplate, the tilter remaining thus between walls of steel, with the weight shared between the shoulders and the waist. The lance is of the kind called Bordonasa, hollow and fluted. The larger variety was used to mark the limits of the lists at tournaments. In an account of Charles’s doings (1523) we read, “Le jour que sa dite Majesté jousta à la targette, qui’il courut par diverses fois armé à la bourdonasse.”