The harness, A291-294 (plate 54), seems to have been made in Milan by Lucio Picinino, and was presented by the Duke of Savoy to Philip III. “Although it belongs to the decadent period of the Italian Renaissance,” remarks the Conde de Valencia, “it is assuredly one of the handsomest pieces of work turned out by the Milanese armourers of the late sixteenth century.” The panoply is unfortunately very incomplete, owing to the strange course having been adopted of dressing with parts of it the corpse of the Infante Carlos, who died in 1632. The whole suit is profusely decorated with reliefs and gold and silver damascene work. The burgonet displays three masks--on the visor (which is in two pieces), and at the base of the skull. The upper edge of the breastplate is roped. In the centre of the chest is an embossed mask; beneath it a panel with the figure of Victory, seemingly held in position by chains, and by two male figures. Below it and on either side are grotesque masks. The pauldrons (one of which has a bufe or passe-garde), the tassets, cuisses, genouillères, and demi-jambs are similarly decorated with cartouches and medallions with martial and allegorical subjects. “The rich covering for the horse is also incomplete. It is composed of pieces of the two distinct bards mentioned in the Inventory, one ‘inlaid with gold and silver, fluted, and in relief, all adorned with blue stones (lapis lazuli) and yellow stones and illuminated crystals’; and the other, ‘with the same pieces as the one above, lacking nothing, and this is of gilded iron in relief.’ “Saddles, chanfrons, and mainfaires of both bards are preserved, these sets being that of the dragon chanfron on the horse A190, and that with the inlaid work on the present figure; but the cruppers and poitrels of both have been broken up, and their component parts have been mostly dispersed abroad. What was preserved in the Armoury, now without stones or crystals, together with other remains found in the ancient edifice after the fire, constitute the crupper and poitrel of this horse.” To the first decade of the seventeenth century belongs the suit (A338-A346) attributed to the third Duke of Escalona. It has a tilting helmet with visor in two pieces, and a shutter in the ventail; the leg-armour is still complete. The elaborate ornamentation, consisting of wide vertical bands etched, alternating with trophies, medallions, and lacework, has lost much of its richness, owing to the disappearance of the blackening and gilding.