Spanish colonial literature in South AmericaMoses, Bernard
History
Spanish colonial literature in South America
Moses, Bernard
Spanish American literature -- History and criticism
The colonial writers of the second half of the seventeenth century and
the early decades of the eighteenth century continued to find their
principal subjects in the military and civil affairs of the colonies. In
Chile the chief topic was the interminable Indian wars. The _Cautiverio
feliz_, by Núñez de Pineda y Bascuñán, was so far successful that it
served in some sense as a model for writers who wished to depart from a
strictly statistical treatment of their subjects; for, while treating of
the common theme, Pineda y Bascuñán gave indications of a certain degree
of imagination, and his work appealed to a permanent human interest by
presenting the elements of a good story, by its discussion and criticism
of public affairs, and by its exposition of abuses and demands for
correction.
[Sidenote: Juan de Barrenechea y Albis]
[Sidenote: _Restauración de la Imperial_]
The manuscript entitled _Restauración de la Imperial y conversión de
almas infieles_, by Juan de Barrenechea y Albis, sometimes rises to a
plane of a general interest. The author evidently set out to write an
heroic novel, in which should figure elevated sentiments and an intense
patriotism, the whole to be drawn on a background of Chilean history; the
part of the history that was especially presented was an account of the
campaigns of Governor Alonso de Sotomayor. But from this general theme
Barrenechea sometimes turned aside to discuss the war, its objects, and
the manner in which it had been carried on in Chile. In spite of the more
or less dramatic action of the characters, the author shows that he is
still dealing with realities by citing governmental decrees, by treating
of the customs of the Indians and by raising inquiries as to the most
efficacious method of restoring the churches in the destroyed towns. But
the author, as a pious friar, could not be expected to leave his work
merely as a story with a number of reflections on worldly affairs, and
thus throughout the writing runs the conventional babble of his class,
that here on earth all is misery, and that only beyond this life there
will be no tears and no sorrow. There are introduced into each of these
books more or less extensive passages in verse, on account of which the
authors are regarded not only as prose writers but also as poets.
[Illustration: From the first edition of Oviedo Herrera’s _Vida de Sta
Rosa de Sta María_]
Juan Barrenechea was born in Concepción in 1669; was sent to Lima to
study theology in the University of San Marcos, and after his return to
Santiago became a lecturer on philosophy and theology in the Order of
Mercy, to which he belonged. Later he was promoted to be the provincial
of his order, and, having returned to Lima, wrote there the work already
referred to.
[Sidenote: Oviedo’s _Santa Rosa_]
[Sidenote: The theme of the poem]
Public-domain text, read in full here on John Shaqi.
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