The guitar is, of course, the national instrument, and the songs never have the same charm with any other accompaniment; but the Spanish women of to-day are prouder of being able to play the piano or violin than of excelling in the instrument which suits them so much better. The Spaniard is nervously anxious not to appear, or to be, behind any other European nation in what we call "modernity," a word that signifies that to be "up-to-date" is of paramount importance, leaving wholly out of the question whether the change be for the better or infinitely towards the lower end of the scale. The records of Spain in art, as in literature, are so grand, so European, in fact, that it is much if the artists of to-day come within measurable distance of those who have made the glory of their country. Nevertheless, the modern painters and sculptors of Spain hold their own with those of any country. After the temporary eclipse which followed the death of Velasquez, Ribera, and Murillo--the eighteenth century produced no great Spanish painter, if we except Goya, who left no pupils--Don José Madrazo, who studied at the same time as Ingres in the studio of David, began the modern renaissance. He became Court painter, and left many fine portraits; but, perhaps, as Comte Vasili says, "La meilleure oeuvre de Don José fut son fils, Federico; de même que la meilleure de celui-ci est son fils Raimundo." Raimundo Madrazo and Fortuny the elder, who married Cecilia Madrazo, Raimundo's sister, have always painted in Paris, and have become known to Europe almost as French artists. Fortuny, by his _mariage Espagnol_, became the head of the Spanish renaissance. Unfortunately, he has been widely imitated by artists of all nations, who have not a tithe of his genius, if any. Pradilla, F. Domingo, Gallegos, the three Beulluire brothers, Bilbao, Gimenez, Aranda, Carbonero, are only a few of the artists whose names are known to all art collectors, and who work in Spain. Villegas has settled in Rome. The exhibition of modern Spanish paintings in the London Guildhall last year (1901) was a revelation to many English people, even to artists, of the work that is being done at the present day by Spanish painters, both at home and in Paris and Rome. In sculpture, also, Spain can boast many artists of the highest class.