As the day advanced the keeper of the prison entered the apartment of
Don Fernan, but was astonished to find there the beautiful countess
in place of her warrior husband. He conducted her before the king,
accusing her of the fraud by which she had effected the escape of
the count. King Ramiro was greatly incensed, and he demanded of the
countess how she dared to do such an act. “I dared,” replied she,
“because I saw my husband in misery, and felt it my duty to relieve
him; and I dared because I was the daughter of a king, and the wife
of a distinguished cavalier; as such I trust to your chivalry to
treat me.”
The king was charmed with her intrepidity. “Señora,” said he, “you
have acted well and like a noble lady, and it will redound to your
laud and honor.” So he commanded that she should be conducted to her
husband in a manner befitting a lady of high and noble rank; and
the count was overjoyed to receive her in safety, and they returned
to their dominions and entered Burgos at the head of their train of
cavaliers, amidst the transports and acclamations of their people.
And King Ramiro sought the amity of Count Fernan Gonzalez, and
proposed that they should unite their houses by some matrimonial
alliance which should serve as a bond of mutual security. The count
gladly listened to his proposals. He had a fair daughter named
Urraca, by his first wife, who was now arrived at a marriageable
age; so it was agreed that nuptials should be solemnized between her
and the Prince Ordoño, son of King Ramiro; and all Leon and Castile
rejoiced at this union, which promised tranquillity to the land.
[Illustration]
[Illustration]
CHAPTER XVI.
Moorish Incursion into Castile.—Battle of San Estevan.—Of Pascual
Vivas and the Miracle that Befell him.—Death of Ordoño III.
For several succeeding years of the career of this most redoubtable
cavalier, the most edifying and praiseworthy traces which remain,
says Fray Antonio Agapida, are to be found in the archives of various
monasteries, consisting of memorials of pious gifts and endowments
made by himself and his countess, Doña Sancha.
Public-domain text, read in full here on John Shaqi.
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