Spanish Prisons: The Inquisition at Home and Abroad, Prisons Past and PresentGriffiths, Arthur
History
Spanish Prisons: The Inquisition at Home and Abroad, Prisons Past and Present
Griffiths, Arthur
Inquisition -- Spain; Prisons -- Spain -- History
The mail coach was sometimes attacked, and on one occasion was stopped
at Almuwadiel outside Madrid. It carried several passengers, among
others an Englishman, a German artist and a Spaniard. At the first
appearance of the brigands, the guard threw himself on the ground with
his face in the mud and the postillions did the same. When summoned
to deliver up their possessions, the Englishman gave up his well
filled purse and was warmly thanked; the German artist would have been
ill-treated as a punishment for his empty pockets, but was spared
when his poverty was explained; the Spaniard was caught attempting to
conceal his valuables in the carriage lining and narrowly escaped a
beating. The coach was at last permitted to proceed and at parting the
leader of the band shook hands with the Englishman and said he was a
real gentleman, the German was ignored and the Spaniard was sharply
taken to task for his attempted "fraud."
To this period (1825-35) belongs the famous brigand, José Maria, the
Spanish Fra Diavolo, whose name is still remembered in the "Serrania"
or mountain country of Ronda and throughout Southern Andalusia, for his
daring robberies and continual defiance of the authorities. A "pass" or
safe conduct granted by him was a better protection than any official
escort. So great was his power that he was known by the proud title
of "El Señor del Campo" (the lord of the country), and he ruled more
absolutely in Andalusia than King Ferdinand in Spain. Travellers paid
him a head tax, blackmail was levied on all public conveyances and, as
has been said, he issued passports at a price to all who chose to pay
for his protection. Strong bodies of troops were sent against him, but
he managed always to elude or oppose them successfully.
Public-domain text, read in full here on John Shaqi.
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