Spanish Prisons: The Inquisition at Home and Abroad, Prisons Past and PresentGriffiths, Arthur
History
Spanish Prisons: The Inquisition at Home and Abroad, Prisons Past and Present
Griffiths, Arthur
Inquisition -- Spain; Prisons -- Spain -- History
abode and set them to work to repair and reconstruct the old building.
He meant to succeed, by drawing upon his own limitless energies,
creating means from his own native resources, and was backed by the
ready response of those he brought under the dominion of an indomitable
will.
All difficulties yielded before his intense spirit. He was the very
incarnation of activity and it was enough to look at him to be
spurred on to assiduous effort. His personal traits and their effect
upon his surroundings are thus described by his biographer, Vincente
Boix,--"There can be no doubt that his martial air, his tall figure
and the look in his face, a mixture of imperious command with great
kindliness and shrewd appreciation of willing effort, had a marked
effect upon his people, and convicts who had been once coerced and
driven by the fear of punishment yielded much more readily to his
moral force. His obvious determination and strength of character got
more out of them than threats or penalties, although, if needs were,
he was ready enough to appeal to the strong arm. They acknowledged
his superiority, and rough undisciplined men, quite capable of rising
against authority when unchecked or weakly held, succumbed to his
lightest word like children to their father. They yielded even against
the grain absolute compliance to his lightest wish without needing a
sharp look or a cross word."
It will be interesting to follow Montesinos' procedure. Under his
system the treatment was progressive and divided into three periods;
first, that of chains; second, that of labour; and third, that of
conditional liberation. This arrangement is in some respects akin to
that generally known as the "Irish" system as practised many years ago
with conspicuous success.
Public-domain text, read in full here on John Shaqi.
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