Spanish Prisons: The Inquisition at Home and Abroad, Prisons Past and PresentGriffiths, Arthur
History
Spanish Prisons: The Inquisition at Home and Abroad, Prisons Past and Present
Griffiths, Arthur
Inquisition -- Spain; Prisons -- Spain -- History
The condemned cell at the Saladero was a part of the prison chapel in
which the Spanish convict spent the last twenty-four hours of life and
was a horrible and painfully gruesome hole. The _capilla_ is described
by de Foresta, who saw it when it was on the eve of abolition. It was
of narrow dimensions, damp, dark, windowless and lighted only with one
or two small candles burning upon the altar which occupied a large
space filling all one wall. In a corner cut off by a black iron railing
from the rest of the chapel was a small space fitted with a bed or
stone shelf with rings to which the convict's chains were fastened and
where he knelt close to the bars to converse with or confess to the
ministering priests. The chapel was dimly lighted by a hanging lamp and
one or two wax candles. Its walls and floor were damp and it received
light and air only through the door. This gruesome den rejoiced in the
name _el confortador_, or the "place of comfort."
Another traveller gives the following graphic account of a Spanish
execution:--
"At seven we find ourselves in the crowd immediately beneath the prison
walls. Large bodies of troops are drawn up on either side of the
_plaza_ and there is a tolerably large concourse of male spectators
present. In a few minutes the mournful cortége appears upon the wall.
First comes the executioner, the Spanish Calcraft, a wiry looking
fellow, carrying a coil of rope; next comes a very stout padre armed
with a baton, and bawling out prayers at the top of his voice; he is
followed by the convict, who walks on in prison uniform, with his
neck bare and arms pinioned, clasping the cross in his hands and
looking literally in a blue fright; a couple more priests and two armed
sentries complete the group, who range themselves along the wall, the
criminal in the centre. The terrible scene is long protracted. The fat
padre roars out _Ave Marias_, exhortations and prayers, waving his
baton frantically in the air and making the miserable wretch repeat
after him. He then clasps him in his arms, and sitting down on chairs
opposite each other, they are covered with a large black pall held
by the supernumerary priests; under this they remain for some time
perfectly motionless, while the poor creature is unburdening his soul
and pouring forth his load of crimes into the ear of his confessor.
Public-domain text, read in full here on John Shaqi.
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