Spanish Prisons: The Inquisition at Home and Abroad, Prisons Past and PresentGriffiths, Arthur
History
Spanish Prisons: The Inquisition at Home and Abroad, Prisons Past and Present
Griffiths, Arthur
Inquisition -- Spain; Prisons -- Spain -- History
A famous escape took place, _en masse_, in one of the prisons on the
occasion of a theatrical performance given by the prisoners in honour
of the governor's birthday. Permission had been duly accorded and the
function was organised on an imposing scale. The stage was erected in
an open space, scenery provided and a fine curtain or act drop behind
which the usual preparations were made. These had not gone beyond
rehearsal, however. All was ready to "ring up," the prison audience all
seated, enduring with increased impatience and dissatisfaction the long
wait which seemed and was actually endless. At last the authorities
interposed and the governor sent a messenger behind the curtain with
a peremptory order to begin. There was no company. Every single soul,
manager and actors had disappeared under cover of the curtain. A great
hole or gap had been made in the outer wall, through which all of the
performers had passed out to freedom.
Numerous as are the escapes, recaptures are also frequent. That fine
corps, the _guardias civiles_, which constitutes the rural police of
Spain, always so active in the prevention and suppression of crime, has
been highly successful in the pursuit of fugitives, few of whom remain
at large for any length of time. Travellers in Spain, especially in
the country districts, must have been struck with the fine appearance
of these stalwart champions of the law. They are all old soldiers, well
trained and disciplined, ever on the side of order, never mixing in
politics, and conspicuous for their loyalty to the existing régime.
The most disgraceful of the old prisons were in Madrid. The Saladero
which survived until very recently had been once an abattoir and
salting place of pigs. But it replaced one more ancient and even worse
in every aspect. The earlier construction is described by a Spanish
writer, Don Francisco Lastres, as the most meagre, the darkest,
dirtiest place imaginable. It had yet a deeper depth, an underground
dungeon, commonly called "el Infierno," hell itself, in which light was
so scarce that when new comers arrived, the old occupants could only
make out their faces by striking matches, manufactured from scraps of
linen steeped in grease saved from their soup or salad oil. When the
gaol was emptied it was so encrusted with abominable filth that to
clean it was out of the question and the whole place was swept bodily
out of existence.
Public-domain text, read in full here on John Shaqi.
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