Film novelizations; Foster home care -- Fiction; Orphans -- Abuse of -- Fiction; Swamps -- Fiction
As the second man sprang overboard from the launch on which the
children had taken refuge Mollie came from her hiding place. She was
back again, at last, in her proper sphere in life. The faint
recollections of her early childhood when she had made a "play-house"
in her father's discarded boat came suddenly before her with
startling vividness. The intervening years seemed more like a bad
dream--a night-mare.
She did not realize that she had grown considerably in the interval,
that the little, fragile creature of the long ago was now almost a
young woman, that she had missed much of her childhood by having
responsibilities heaped upon her and by the farm work she had done.
She only knew that she was free at last to play again, to have a good
time, to laugh and make the children laugh and to actually sail in a
boat instead of make believe.
She called the children to come out from where they had been
concealed and rushed, herself, to grasp that crazily acting wheel.
She had watched the man just long enough to have an idea it was an
easy task and one which she would much enjoy performing. But it was
not so easy as it looked. My, but she had to hold on, with all her
might. Well, her arms were strong. She was equal to the tugging.
But which way ought it to go?
She gave it a whirl to the left. The boat veered so suddenly that
the assembled children, watching her movements with curious, excited
eyes, went tumbling like nine-pins to the deck. They scrambled up
laughing. Mollie whirled the big wheel to the right. Again the
children went down. This time two of them received bumps.
"Cain't yo' make hit stand still?" asked one of the older boys.
"Lemme help."
Mollie declined assistance.
"Hit's all right," she assured them. "Thet's th' way boats act up.
You-uns set down in a row an' watch me. We'll git some place ef thet
boat'll only git outten th' way. Whut's thet man holler'n 'bout,
Willie?"
"He's flingin' sumpin' over ter them fellers whut jumped off'n this
boat. An' now--look but, Mollie! He's shootin' at 'em."
As he spoke, two shots rang out in rapid succession. The black
mustached man who was swimming toward shore was seen to throw up his
firms and go down under water. The other man was nowhere to be seen.
Suddenly he came up some distance ahead, looked about wildly, flung
his arms above his head and shrieked for aid. Then he, too,
disappeared.
"I reckon he hed a cramp," said Willie.
But the man with the revolver who stood in the front of the other
boat was now leveling it at Mollie. He shouted to her to stop the
boat.
Mollie's cheeks were crimson from her exertions. Her eyes were
dancing with their old-time roguishness. Her voice sounded across
the water as clear and resonant as a bell when she called her reply:
"I cain't stop hit. I dunno whut ter do with hit. This dum wheel
keeps right on a-goin'."
Public-domain text, read in full here on John Shaqi.
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