Film novelizations; Foster home care -- Fiction; Orphans -- Abuse of -- Fiction; Swamps -- Fiction
They ran about like a bevy of frightened jack-rabbits and finally
brought up on the edge of the bog. There was light now, light enough
to see clearly. And what they saw was so incredible that for a
moment they thought their eyes were deceiving them.
Children--a swaying, floundering string of them, like the tail of a
kite, with the largest, Mollie, in the lead, clear out in the bog,
beyond the reach of any plank on the premises--and nobody would have
ventured to cross on a plank had one been available.
Grimes stared, rubbed his eyes and stared again. "Plumb idjits!" he
ejaculated. "Th' dum fools! I'll git 'em off en thar mighty quick."
He tore indoors and returned on the jump, his shirt flying like a
sail in the morning breeze, and carrying a shot-gun. He paused,
raised the gun to his shoulder and took aim.
From her precarious position on the limb of a tree, her feet barely
out of the mud, Mollie watched him.
"He ain't a-goin' ter hit none on us," she told the children with a
calmness of tone and a sense of conviction that was nothing short of
inspired. "Th' Good Shepherd's a-watchin'. He'll put up His hand,
er sumpin'. They was scarred hands. Mebbe thet's how hit happened.
He was a helpin' little chil'en."
But the hand that reached forth and touched the ogre's arm was the
hand of a poor, ignorant, half-witted woman, the victim of
circumstances, the creature of her environment--Maria.
"I wouldn't shoot 'em," she said, and who knows but that she, too,
was inspired, "th' police might be aroun' an' hear yo'. Leave 'em
an' they'll die in th' mire, anyhow."
Peter lowered the gun. Several sparrows twittered and went flying
over his head in the direction of the children. Neither the children
nor the sparrows fell. Maria's hand had performed the most noble
deed of her life.
"Thet's right," remarked Peter, for once not berating her for
interference. Then he commenced to laugh. The laugh was a cross
between that of a fiend and a hyena. And when he laughed, Ambrose,
his son, laughed. It was a good joke on Mollie! But Maria did not
laugh.
Then Peter remembered his unclad extremities and the run-a-way horse
and the missing key. He gritted his teeth and shook his fist
futilely toward the children before turning and making his way back
to the house.
"Now, didn't I tell yo-all?" said Mollie, smiling upon the children.
"I'm jist es happy es this hyar Honey-baby on my back. An' I hain't
a-feared o' nawthin'. Come on, we-uns has got our breff now. Kin
yo' git out on thet limb, Willie, ter fling th' rope?"
Willie was already climbing like a monkey out on the limb from which
he was to cast the rope to the next tree, further on in the depths of
the swamp. The trees were closer together now, the ground seemed to
be firmer and the mud less tenacious than in that one awful hole so
close to the farm outbuildings.
Public-domain text, read in full here on John Shaqi.
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