Sparrows: The Story of an Unprotected GirlNewte, Horace W. C. (Horace Wykeham Can)
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Sparrows: The Story of an Unprotected Girl
Newte, Horace W. C. (Horace Wykeham Can)
London (England) -- Fiction
When Mavis first set eyes on this person, she appeared to be a decent,
comely, fair-haired, youngish woman, who was dressed in the becoming
black of one who had recently emerged from the mourning of widowhood.
But as Mavis watched the woman, a startling transformation took place
before her eyes. The woman began by removing her gloves and bonnet
before a dressing glass, which was kept in position by a mangy hair
brush thrust between the frame and its supports. Then, to the girl's
wondering astonishment, the woman unpinned and took off her fair curls,
revealing a mop of tangled, frowsy, colourless hair, which the wig had
concealed. Next, she removed her sober, well-cut costume, also, her
silk underskirt, to put on a much worn, greasy dressing-gown. Then, she
pulled off her pretty shoes and silk stockings, to thrust her feet into
worn slippers, through which her naked toes showed in more than one
place.
Mavis rubbed her eyes; she expected every moment to find herself again
in the street, clinging to the railings for support, at which moment of
returning sense she would know that what she was now witnessing would
prove to be an effect of her disordered imagination.
If what she saw were the result of a sick brain, it was a convincing,
consistent picture which fascinated her attention.
The woman had taken up a not over-clean towel, to dip a corner of it in
a jug upon the washstand before applying it to one side of her face.
Mavis suffered her eyes to leave the woman in order to wander round the
room. She was lying on a sofa at the foot of an iron bed. That part of
the wall nearest to her was filled by the fireplace, in which a
cheerful fire was burning; it looked as if it had recently been made
up. Upon the mantelshelf were faded photographs of common,
self-conscious people, the tops of which all but touched a framed print
of the late Mr Gladstone. In the complementary recess to the one in
which the washstand stood, was a table littered with odds and ends of
food, some of which were still wrapped in the paper in which they had
come from the shop. A smoking oil lamp, of which the glass shade had
disappeared, and which was now shaded with the lid of a cardboard shoe
box, cast elongated shadows of the occupier of the room on walls and
ceiling as she moved. The atmosphere of the room was heavy with the
mingled smell of paraffin oil and fugginess.
"Where--where am I?" asked Mavis.
"You've come round, then?" said the woman, who had just cleansed one
side of her face of artificial complexion.
"How did I get here?"
"I found you outside as I came 'ome. I couldn't very well leave you
like that."
"You're very kind."
"'Elp that you may be 'elped is my motto. An' then you didn't smell of
drink. I wouldn't 'ave took you in if you had. Girls who're 'on the
game' who drink ought to know better, and don't deserve sympathy."
Mavis stared at her wide-eyed, striving to recalled where she had heard
that expression before, also what it meant.
Public-domain text, read in full here on John Shaqi.
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