Spears of destiny : $b A story of the first capture of ConstantinopleSmith, Arthur D. Howden (Arthur Douglas Howden)
History
Spears of destiny : $b A story of the first capture of Constantinople
Smith, Arthur D. Howden (Arthur Douglas Howden)
Crusades -- Fourth, 1202-1204 -- Fiction; Istanbul (Turkey) -- History -- Siege, 1203-1204 -- Fiction
Hugh pointed across the houseroofs to a towering structure which
dwarfed the nearby buildings. In front of it a slender column of
stone soared aloft like an upraised finger, crowned by a brazen
statue which must have been more than lifesize to show at that
distance.
"That is the Gate of the Forerunner, for so the Greeks call St. John
the Baptist. It is an arch so wide and high that a galley such as
ours could pass through it with sail spread and oars pulling. Before
it is the Column of Constantine, erected to the memory of the great
Emperor who founded the city anew. And beyond the Column is the
Forum of Arcadius, whereon is the Church of the Forerunner. Look!
You may see the dome sparkle in the sun. On the left hand, that
enormous building is the Baths of Arcadius. You may not see it from
here for the houses but close by the Forum of Arcadius there is a
wondrous statue of the Lady Helen of Troy, a demoiselle of the old
Greeks about whom they sing a romaunt that is right pleasant to hear.
It is a statue older even than the city, they say."
The fleet drew in closer to the walls, keeping just out of range of
the military engines that stood ready on every tower and curtain.
Sometimes the Greeks who watched the hundreds of ships shook their
swords and shouted hoarse challenges, to which the host gave answer
in expressions of defiance. For the most part the passage was made
in silence. Hugh looked and looked to his heart's content, and so
did every man in the fleet who had energy to drag himself to the
rail. Even those unfortunates who were sick with scurvy begged their
comrades to help them to a view of the marvellous spectacle.
As they passed on, the buildings within the walls became less dense.
Open spaces were more numerous. Groves of trees, tall, stately
cypresses and cedars, grew about palaces as fair as the visions of a
dream. Marble, onyx, jacinth, porphyry, sandstone, granite, picked
out with copper, bronze, silver and gold, these buildings gleamed as
though they were encrusted with jewels. Fountains played in their
gardens, for aqueducts built by many Emperors since the days of Old
Rome insured Constantinople a bountiful supply of water, and an
elaborate system of stone-walled sewers laid underground furnished
ample drainage and guarded the city from the terrible epidemics which
at intervals decimated the insanitary cities of the West.
Hugh pointed to building after building, fascinated as a child, and
Matteo described them to him. That was the Church of the Theotokos
Hodegetria, founded by the Empress Pulcheria, where was treasured the
ikon of the Virgin painted by the hand of St. Luke, the palladium of
the city, which was brought out in times of crisis to lead the armies
and revivify the failing spirits of the citizens. Involuntarily,
Hugh bowed his head and crossed himself.
"God send Our Lady has turned against these people," he said
devoutly. "Else we may fight in vain."
Public-domain text, read in full here on John Shaqi.
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