Spears of destiny : $b A story of the first capture of ConstantinopleSmith, Arthur D. Howden (Arthur Douglas Howden)
History
Spears of destiny : $b A story of the first capture of Constantinople
Smith, Arthur D. Howden (Arthur Douglas Howden)
Crusades -- Fourth, 1202-1204 -- Fiction; Istanbul (Turkey) -- History -- Siege, 1203-1204 -- Fiction
Hugh laughed.
"Well enough," he approved. "What say you, Matteo?"
"By Our Lady, he looks the part better than do we," protested the
jongleur. "But in with you, Ralph. It draws toward evening, and we
must survey our ground before the light fails."
The comrades settled themselves in the cabin, and the gondola sped
over the canals, propelled by the strong arms of the boatmen. It was
still sunlight when Beppo parted the aft curtains.
"The fondaco Pisano is ahead, lords," he announced.
Hugh and Matteo peered through the curtains at a gloomy structure,
windowless on the ground level and barred at every opening above,
which was almost identical in architecture with the fondaco
Ziniani--or, for that matter, with scores of houses in Venice.
"Hist, lords," came Beppo's voice behind them, sibilantly imperative.
"Lie close. Bide but a moment. So!"
The gondola shot past the fondaco Pisano, and then, in obedience to
the pressure of the stern oar, swung to the left and glided into the
mouth of a shadow-filled canal which slit a mass of buildings
opposite. It came to rest against the dripping, mossy wall of the
house on the right of the opening.
"Now, lords, you may study Messer Pisano as you will," chuckled
Beppo. "Few come hither, and such as pass will be none the wiser of
our purpose."
The comrades applauded his device. But for more than an hour they
watched without result. Not a sign of life was visible in the
fondaco Pisano. Two gondolas were moored to the landing-steps, but
neither was green. No porters or servants gossiped before the broad,
brass-bound door. The windows were tenantless.
The sun dropped lower, and Hugh grew discouraged. Soon it would be
too dark to see. But in the very moment when he was prepared to give
up hope the green gondola came into view on the main canal, and
veered across to the landing-steps. Mocenigo sprang out, and ran
lightly up the steps to the great door, which opened as he neared it.
"Note, Hugh, his gondolier bides without," said Matteo.
The twilight deepened, turned to dusk. The gondolas that passed now
carried flaming torches or cressets to guide them.
"Can you see, lords?" questioned Beppo in a husky whisper.
"Sufficiently," answered Matteo. "What is that?"
A flare of light illumined the portico of the building they were
watching.
"They have opened the door," breathed Hugh.
Torches wove a whimsical pattern on the steps; shadows criss-crossed
in a grotesque dance macabre; voices faintly called. As through a
veil, the comrades glimpsed several figures that descended to where
the gondolas lay.
Public-domain text, read in full here on John Shaqi.
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