Special talents and defects : $b Their significance for educationHollingworth, Leta Stetter
Science
Special talents and defects : $b Their significance for education
Hollingworth, Leta Stetter
Educational psychology; Educational tests and measurements; Exceptional children
FIG. 23.—Charlie Chaplin pursuing a gentleman, and pursued by a
policeman. Showing the special ability to draw, of a feeble-minded
man, in an institution for mental defectives. See also Figure 22.
]
[Illustration:
FIG. 24.—Showing attempts by two distinguished university professors
to cut silhouettes of an elephant. Compare with Figure 22.
]
Since superior students of science may or may not have ability to draw,
it is probably undesirable that success in elementary courses should be
made to depend largely on drawing.
Distinguished achievement in analytical, symbolic, and interpretative
art is probably as incompatible with native stupidity as is
distinguished achievement in any other field of technical endeavor.
Persons who can draw, but are nevertheless generally dull, should
probably not be guided toward the career of designer, architect,
cartoonist, or portrait painter.
All persons possess in some amount each and every one of the capacities,
which in rare and happy combinations constitute talent in drawing. The
typical child possesses them in typical degrees, so that the majority
can draw moderately well. Since in after life most children will enjoy
the drawings of others more frequently than they will themselves draw,
probably it would be of value to devote a relatively greater part of the
curriculum in drawing to forming acquaintanceship with pictures.
Interest in drawing, painting, or sculpture may be present without
talent, but probably keen interest and talent are most often combined.
At present educational psychologists have before them the task of
extending research, so that the word “probably,” so often used in this
discussion, may be replaced by “certainly.” The accomplishment of this
task will call for the coöperation of artists, in particular.
REFERENCES
AYER, F. C.—_The Psychology of Drawing_; Warwick and York, Baltimore,
1916.
BINET, A.—“La psychologie artistique de Tade Styka”; _L’année
psychologique_, 1908.
CHILDS, H. G.—“Measurement of the Drawing Ability of Two Thousand One
Hundred and Seventy-seven Children in Indiana School Systems by a
Supplemented Thorndike Scale”; _Journal of Educational Psychology_,
1915.
ELDERTON, E.—“On the Association of Drawing with Other Capacities in
School Children”; _Biometrika_, 1910.
FISCHLOVITZ, A.—_An Inductive Study of the Abilities Involved in
Drawing_; Columbia University, 1903.
JONES, E. E.—“The Correlation of Visual Memory and Perception of
Perspective with Drawing Ability”; _School and Society_, 1922.
IVANOF, E.—“Corrélation entre l’aptitude au dessin et les autres
aptitudes”; _Archives de psychologie_, 1908.
KERSCHENSTEINER, G.—_Die Entwicklung der zeichnerischen Begabung_;
Gruber, Munich, 1905.
KIK, C.—“Die übernormale Zeichenbegabung bei Kindern”; _Zeitschrift
für angewandte Psychologie_, 1908.
Public-domain text, read in full here on John Shaqi.
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