Specimens with Memoirs of the Less-known British Poets, Complete
General
Specimens with Memoirs of the Less-known British Poets, Complete
English poetry
The main pillar of Drayton's fame is 'Polyolbion,' which forms a poetical
description of England, in thirty songs or books, to which the learned
Camden appended notes. The learning and knowledge of this poem are exten-
sive, and many of the descriptions are true and spirited, but the space
of ground traversed is too large, and the form of versification is too
heavy, for so long a flight. Campbell justly remarks,--'On a general
survey, the mass of his poetry has no strength or sustaining spirit equal
to its bulk. There is a perpetual play of fancy on its surface; but the
impulses of passion, and the guidance of judgment, give it no strong
movements or consistent course.'
Drayton eminently suits a 'Selection' such as ours, since his parts are
better than his whole.
DESCRIPTION OF MORNING.
When Phoebus lifts his head out of the winter's wave,
No sooner doth the earth her flowery bosom brave,
At such time as the year brings on the pleasant spring,
But hunts-up to the morn the feather'd sylvans sing:
And in the lower grove, as on the rising knoll,
Upon the highest spray of every mounting pole,
Those choristers are perch'd with many a speckled breast.
Then from her burnish'd gate the goodly glitt'ring east
Gilds every lofty top, which late the humorous night
Bespangled had with pearl, to please the morning's sight:
On which the mirthful choirs, with their clear open throats,
Unto the joyful morn so strain their warbling notes,
That hills and valleys ring, and even the echoing air
Seems all composed of sounds, about them everywhere.
The throstle, with shrill sharps; as purposely he sung
T'awake the lustless sun, or chiding, that so long
He was in coming forth, that should the thickets thrill;
The woosel near at hand, that hath a golden bill;
As nature him had mark'd of purpose, t'let us see
That from all other birds his tunes should different be:
For, with their vocal sounds, they sing to pleasant May;
Upon his dulcet pipe the merle doth only play.
When in the lower brake, the nightingale hard by,
In such lamenting strains the joyful hours doth ply,
As though the other birds she to her tunes would draw,
And, but that nature (by her all-constraining law)
Each bird to her own kind this season doth invite,
They else, alone to hear that charmer of the night,
(The more to use their ears,) their voices sure would spare,
That moduleth her tunes so admirably rare,
As man to set in parts at first had learn'd of her.
Public-domain text, read in full here on John Shaqi.
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