Specimens with Memoirs of the Less-known British Poets, Volume 3
General
Specimens with Memoirs of the Less-known British Poets, Volume 3
English poetry
Lord Craig wrote some time afterwards an affecting paper in the _Mirror_,
recording the fate, and commending the genius of Bruce. John Logan, in
1770, published his poems. In the year 1807, the kind-hearted Principal
Baird published an edition of the poems for the behoof of Bruce's mother,
then an aged widow. And in 1837, Dr William Mackelvie, Balgedie, Kinross-
shire, published what may be considered the standard Life of this poet,
along with a complete edition of his Works.
It is impossible from so small a segment of a circle as Bruce's life
describes, to infer with any certainty the whole. So far as we can judge
from the fragments left, his power was rather in the beautiful, than in
the sublime or in the strong. The lines on Spring, from the words 'Now
spring returns' to the close, form a continuous stream of pensive
loveliness. How sweetly he sings in the shadow of death! Nor let us too
severely blame his allusion to the old Pagan mythology, in the words--
'I hear the helpless wail, the shriek of woe,
I see the muddy wave, the dreary shore;'
remembering that he was still a mere student, and not recovered from
that fine intoxication in which classical literature drenches a young
imaginative soul, and that at last we find him 'resting in the hopes of
an eternal day.' 'Lochleven' is the spent echo of the 'Seasons,' although,
as we said before, its descriptions possess considerable merit. His 'Last
Day' is more ambitious than successful. If we grant the 'Cuckoo' to be
his, as we are inclined decidedly to do, it is a sure title to fame,
being one of the sweetest little poems in any language. Shakspeare would
have been proud of the verse--
'Sweet bird! thy bower is ever green,
Thy sky is ever clear;
Thou hast no sorrow in thy song,
No winter in thy year.'
Bruce has not, however, it has always appeared to us, caught so well as
Wordsworth the differentia of the cuckoo,--its invisible, shadowy,
shifting, supernatural character--heard, but seldom seen--its note so
limited and almost unearthly:--
'O Cuckoo, shall I call thee bird,
Or but a _wandering voice_?'
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account