Poets, English -- Early modern, 1500-1700 -- Biography; Spenser, Edmund, 1552?-1599
Sir, knowing how doubtfully all Allegories may be construed,
and this booke of mine, which I have entituled the Faery
Queene, being a continued Allegory, or darke conceit, I haue
thought good, as well for avoyding of gealous opinions and
misconstructions, as also for your better light in reading
thereof, (being so by you commanded,) to discover unto you the
general intention and meaning, which in the whole course
thereof I have fashioned, without expressing of any particular
purposes, or by accidents, therein occasioned. The generall
end therefore of all the booke is to fashion a gentleman or
noble person in vertuous and gentle discipline: Which for that
I conceived shoulde be most plausible and pleasing, being
coloured with an historicall fiction, the which the most part
of men delight to read, rather for variety of matter then for
profite of the ensample, I chose the historye of King Arthure,
as most fitte for the excellency of his person, being made
famous by many mens former workes, and also furthest from the
daunger of envy, and suspition of present time. In which I
have followed all the antique Poets historicall; first Homere,
who in the Persons of Agamemnon and Ulysses hath ensampled a
good governour and a vertuous man, the one in his Ilias, the
other in his Odysseis: then Virgil, whose like intention was
to doe in the person of Aeneas: after him Ariosto comprised
them both in his Orlando: and lately Tasso dissevered them
againe, and formed both parts in two persons, namely that part
which they in Philosophy call Ethice, or vertues of a private
man, coloured in his Rinaldo; the other named Politice in his
Godfredo. By ensample of which excellente Poets, I labour to
pourtraict in Arthure, before he was king, the image of a
brave knight, perfected in the twelve private morall vertues,
as Aristotle hath devised; the which is the purpose of these
first twelve bookes: which if I finde to be well accepted, I
may be perhaps encoraged to frame the other part of polliticke
vertues in his person, after that hee came to be king.
Then, after explaining that he meant the _Faery Queen_ "for glory in
general intention, but in particular" for Elizabeth, and his Faery Land
for her kingdom, he proceeds to explain, what the first three books
hardly explain, what the Faery Queen had to do with the structure of the
poem.
Public-domain text, read in full here on John Shaqi.
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