12. Find examples of _alliteration_ in xix; of _balance_ in xxxvii; and of _Latinizing_ in xix; xxxvi; xxxviii, and xl. 13. Paraphrase in your own words ll. 111, 134-135, 162 (giving two interpretations); 335, 386-387. 14. What _figure of speech_ is used in xiii, xvi, and xx? 15. Study the rich word-painting in the description of sunrise in vii. Find other examples of this poet's use of "costly" epithets. 16. Scan the following passages: 148, 174, 178, 193, and 299. 17. Find example of _tmesis_ (separation of prep. from ob.) in xlv. 18. What is the difference between the two _wells_ in xliii? 19. To whom do the pronouns in ll. 174, 175 refer? 20. What is the _case_ of _heavens_ in l. 193? of _Sarazin_ in l. 217? 21. What words are omitted in ll. 188, 313, 398? CANTO III I. _The Plot:_ Una wandering in quest of her Knight is guarded by a Lion. With difficulty they gain entrance to the cottage of Corceca and her daughter Abessa, the paramour of Kirkrapine. The latter is killed by the Lion. Fleeing the next day, Una falls in with Archimago disguised as the Redcross Knight. They journey on and meet a second Saracen knight, Sansloy. In the fight which ensues Archimago is unhorsed and his deception unmasked. The Lion is slain, and Una becomes the captive of Sansloy. II. _The Allegory:_ 1. Truth finds temporary protection in Reason, or Natural Honor (Lion), and with its help puts a stop to the Robbing of Churches (Kirkrapine), which is connived at by Blind Devotion (Corceca) and Secret Sin (Abessa). Truth is then associated with Hypocrisy under the guise of Holiness, but it is soon unmasked by Lawlessness (Sansloy), with which Truth is forced into an unnatural alliance. 2. "The lion is said to represent Henry VIII, overthrowing the monasteries, destroying church-robbers, disturbing the dark haunts of idleness, ignorance and superstition."--Kitchin. The battle between Archimago and Sansloy refers to the contests of the Catholic powers with the Moslems. The whole canto also has a hint of the violence and lawlessness connected with the English conquest of Ireland. LINE 14. THOUGH TRUE AS TOUCH, though true as if tested on the touchstone (by which true gold was distinguished from counterfeit). 18. AND HER DUE LOVES, etc., the love due to her diverted, etc. 27. YET WISHED TYDINGS, etc., yet none brought unto her the wished-for tidings of him. An awkward transposition. 34. THE GREAT EYE OF HEAVEN, the sun. Cf. _Paradise Lost_, v. 171. 38. A RAMPING LYON. Reason or Natural Honor; also Henry VIII. According to the ancient belief, no lion would attack a true virgin or one of royal blood. Similar scenes are found in _Sir Bevis of Hampton_, _The Seven Champions of Christendom_, etc. Cf. I _Henry_ IV, ii, 4. The allegory signifies that man guided merely by reason will recognize Truth and pay it homage. 51. WHOSE YEELDED PRIDE, etc., object of _had marked_, l. 52. 77. HE KEPT BOTH WATCH AND WARD, he kept awake and guarded her.