In this three-fold aspect of music, then, we may perhaps find the key as
to whether music must necessarily imply anything or not. There are the
outer courts of the Temple of Art, where the meaning and expression is
adapted to those who may foregather only there, but there are the inner
courts where "more of truth" is to be found by those who have ears to
hear. But in the inmost chamber we may discern in the greatest
masterpieces in music that "something beside, some divine element of
life by which they are animated and inspired."[29] All true music has
true meaning, but this must correspond at each stage with the power and
grade of discrimination and appraisement possible for the individual. We
are wise in our generation if we refrain from disparaging what we do not
understand; it is easy to reflect upon ourselves in such disparagement.
Conversely, if there be no meaning, surely there is no music, and we
need waste no time in endeavouring to find a message and a meaning in
that composition wherein the composer himself could find none to put.
[Note 29: Hadow. "Studies in Modern Music."]
CHAPTER XII
THE PURPOSE OF ART
"But God has a few of us whom he whispers in the ear: The rest may
reason and welcome: 'tis we musicians know"
_Browning_
There are in essence but two creeds in the world, the one a
materialistic belief, and the other some degree or phase of a spiritual
conception. Every degree of density is to be found in the material view,
and every grade of refinement exists in the spiritual vision: by
imperceptible gradations they may shade from one into the other, but the
two extremes are material and spiritual. The latter view will tend to
result in unselfishness, in altruism and a keen desire to leave one's
own little corner of the world better for having lived in it. The
material idea must almost of necessity lead up to a selfish course of
conduct, where the personal interests are put foremost, and the sole
object is to "get" as much as possible, as opposed to the spiritual
philosophy which would advocate "giving."
Public-domain text, read in full here on John Shaqi.
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