Yet, as the premature ruin of youthful health is a more affecting object than the ripe decline of age, so did this roofless modern palace, with the wallflower waving from its elegant Grecian windows, present a more dismal aspect than could have been expected from any ruin of more hoary antiquity. The tale which it told of the extinction of modern grandeur, and the decline of recently flourishing families, appealed more immediately and more powerfully to the sympathies than that of remote and more barbarous greatness, which is to be read in the sterner battlements of a border tower, or an ancient national fortress. The site had been chosen upon a lofty terrace overlooking the sea, in order that the inmates might be enlivened by the ever-changing aspect of that element, and the constant transit of its ships; but now all useless was this peculiarity of situation, except to serve to the mariner as a kind of landmark, or to supply the more contemplative voyager with the subject of a sigh. With a mind attuned by this object to the most melancholy reflections, I was conducted to what is called an aisle or burial vault, projecting from the north side of the church, and which contains the remains of the former lords of Culross. There images are shown, cut in beautiful Italian marble, of Sir —— Bruce, his lady, and several children, all of which must have been procured from the Continent at a great expense; for this honourable knight and his family flourished in the early part of the seventeenth century, when no such art was practised in Scotland. The images, however, and the whole sepulchre, had a neglected and desolate appearance, as may be expected by the greatest of personages, when their race has become unknown at the scene of their repose. In this gloomy chamber of the heirless dead, I was shown a projection from one of the side-walls, much like an altar, over which was painted on the wall the mournfully appropriate and expressive word “FUIMUS.” Below was an inscription on a brass plate, importing that this was the resting place of the heart of Edward Lord Bruce of Kinloss, formerly proprietor of the princely estate of Culross; and that the story connected with it was to be found related in the Guardian, and alluded to in Clarendon’s History of the Great Rebellion. It was stated that the heart was enclosed in a silver case of its own shape, which had reposed here ever since it ceased to beat with the tide of mortal life in the year 1613, except that it was raised from its cell for a brief space in 1808, in the course of some repairs upon the sepulchre. As I had a perfect recollection of the story told by Steele, which indeed had made a deep impression upon me in boyhood, it was with no small interest that I beheld the final abode of an object so immediately connected with it. It seemed as if time had been betrayed, and two centuries annihilated, when I thus found myself in presence of the actual membrane, in bodily substance entire,