Spirit of Chambers's Journal : $b Original tales, essays, and sketches, selected from that workChambers, Robert
General
Spirit of Chambers's Journal : $b Original tales, essays, and sketches, selected from that work
Chambers, Robert
English literature -- Scottish authors
It may be surprising to persons unacquainted with Scotland, that the
people should be so fond of removing, since the day on which that event
takes place is apt to be so very disagreeable. They might as well
wonder that people should ever marry, when they know so very well that
the charge of a family is apt to be burdensome. Candlemas day, on which
people take their houses, is a day of heedless joy, a day of fond and
delirious anticipation; and Whitsunday is to it what execution-day is
to the particular time when an unfortunate man was tempted to enrich
himself at some other body’s expense. “On Wednesday I killed my wife,
on Saturday I was hanged,” as the child’s rhyme goes: no one can doubt
that Wednesday was in this case a very pleasant day, whatever might
be the state of the honest man’s feelings at the end of the week. So
it is with Candlemas and Whitsunday. On the former of these days we
are actuated by a spirit of spite and dissatisfaction with our present
abode; it is every thing that is disagreeable, and we must at all
hazards get quit of it. Accordingly, the taking of another, and, as we
think, better habitation, naturally appears as the opening of a haven
of relief, and, of course, we have a great deal of either positive or
negative pleasure in the day. Nor is this satisfaction confined to
the day on which the new house is leased: it extends up to the very
commencement of that week of suffering which involves Whitsunday—up
to the first material disarrangement of furniture preparatory to
removal. During the time which elapses between the leasing of the new
habitation and our removal to it, we abandon all care for our present
abode. Any thing that goes wrong about it must just remain so. If a
lock were required for the door, we would scarcely put ourselves to
the trouble of getting it, but remain content with some provisional
system of security, such as putting a table behind it. A large piece of
plaster might fall down from the ceiling, or half of the floor of the
dining-room sink into the kitchen—a whole gable or side-wall, almost,
might fall away, but we would never think of troubling ourselves
with any attempt at repairs. It is a horrid house at any rate, and,
for all the time we are to be in it, it does not matter. We’ll soon
be getting into our nice new house, and I’ll warrant you no plaster
will fall down from the ceiling _there_, nor either floor or gable
give way. Every thing will be right when we get to —— Street. The
house, under this system of feeling, begins to wear a desolate look.
Every thing is permitted, according to the old Scottish phrase, just
to hang as it grows. The whole bonds of household discipline are
relaxed. The servants, who are to be changed too perhaps, as well as
the house, begin to do things _any way_, and yet the mistress hardly
chides them. The fact is, she has given up all idea of comfort in
the condemned house, and lives entirely on the hope of seeing every
thing trig in her new abode.
Public-domain text, read in full here on John Shaqi.
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