Spirit of Chambers's Journal : $b Original tales, essays, and sketches, selected from that workChambers, Robert
General
Spirit of Chambers's Journal : $b Original tales, essays, and sketches, selected from that work
Chambers, Robert
English literature -- Scottish authors
It is a very general impression that the system of auricular confession
was given up at the Reformation. Such is by no means the case; every
man and mother’s son in the country still keeps his _confessor_. By
this epithet, it may be guessed, I mean that chief and most particular
friend whom every man keeps about him—who stands his best man when he
is married, and becomes his second when he fights a duel—his double,
in short, or second self—a creature whom you almost always find with
him when you call, and who either walks under his arm in the street, or
is found waiting for him while he steps into some neighbouring shop,
or, as the case may happen, is waited for by him.
I make bold to say, there is not a trader any where who does not keep
his confessor. The creature haunts the shop, till he almost seems the
Genius of the Place, to the grievous prepossession of newspapers,
and, what is more intolerable still, to the exclusive occupation of
the ear of the worthy shopkeeper himself. The evening is the grand
revel-time for confessors of this genus. Between eight and nine, you
see them gathering to the shops of their respective victims, like fowl
to roost. As you pass about nine, you observe, on looking in, that the
discipline and rigour of shop-life has dissolved. Master, men, and
boys, feel the approach of the moment of emancipation, with a peculiar
salience of thought, alternating with a deep and tranquil delight. The
confessor reigns in the spirit of this glorious hour, and his laugh,
and his joke, and his news, and his proffered pinch, are listened to,
re-echoed, and partaken of by his devotee, with a pleasure of the
keenest nature, and ominous, you may make sure, of oysters and gin
punch on the way home.
Public-domain text, read in full here on John Shaqi.
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