Spirit of Chambers's Journal : $b Original tales, essays, and sketches, selected from that workChambers, Robert
General
Spirit of Chambers's Journal : $b Original tales, essays, and sketches, selected from that work
Chambers, Robert
English literature -- Scottish authors
If the players thus debase themselves by the impurity of their lives,
and thereby render themselves unfit to be looked upon or listened to
by the majority of society—if they continue to represent dramas suited
to the taste of a past age, or else adapted only to the sympathies of
children—if they persist in retaining about their whole system vicious
forms of speech, indelicate gestures, and a code of moral feeling
and action, all of which have long been pronounced intolerable in
good society, how can they expect their theatres to be so prosperous
as they once were, more especially when purer and better modes of
entertainment are every where rising into competition with them? The
person who pens these thoughts is by no means an enemy to theatricals
in the abstract. With the most respectful deference to those who see
in dramatic entertainments an express hostility to the divine law, he
retains the conviction that they might be rendered as good and innocent
a means as any other for producing that great end—the diversion of
the public mind by amusement from the follies and vices of absolute
vacuity. He does not consider the theatre, or any other amusement, so
much with a reference to the good which it may do, as with respect to
the evil which it may prevent. It is clear, however, that the really
good and pure can never become the friends of the theatre, so long as
it remains unreformed. There must be a combination among the virtuous
actors to exclude the vicious from their body. A number of antiquated
and absurd fashions of the stage must be brought nearer to the standard
of ordinary natural life. And the best literary men of the day must be
encouraged by legislative enactments to produce a crop of new plays
with a stronger moral bent than the generality of those now existing.
Till all this is done, and the theatre become as noted in public
fame for a friendliness to what is good, as it has hitherto been for
the reverse, it must be content to occupy its present degraded place
amongst our prevailing modes of public entertainment.
RECOGNITIONS.
“Dignus vindice _nod_-us.”——
Public-domain text, read in full here on John Shaqi.
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