Spirit of Chambers's Journal : $b Original tales, essays, and sketches, selected from that workChambers, Robert
General
Spirit of Chambers's Journal : $b Original tales, essays, and sketches, selected from that work
Chambers, Robert
English literature -- Scottish authors
Subjects of conversation are sometimes exceedingly difficult to be
had. I have known many a company of well-dressed men and women feel
themselves most awkwardly situated for want of something to talk
about. The weather, which is said to be a never-failing subject,
cannot hold out above a few minutes at a time. It will stand a round
or two rounds, but not more. It is then knocked up for the evening,
and cannot with decency be again brought forward. Being thus disposed
of, the subject of “news” is introduced; but, as a matter of course,
there being no “news stirring,” “not a word,” “nothing in the papers,”
that subject is soon also dispatched. If there happen to be any very
remarkable occurrence worth talking of, what a blessing it is on such
occasions! It is food for the company a whole night, and may be again
and again brought above board for their amusement. But it much more
frequently happens that there is no exciting event to talk about, and
then the condition of the company is truly miserable. There being
ladies present, or there being two factions in the room, politics are
proscribed. Every attempt at getting up a topic failing, the company
look into the fire, or in each other’s faces, or begin to examine
with much interest the pattern of the carpet; and the silence which
ensues is truly terrific. A slight whisper is the only sound in the
apartment, and is caught at or watched by the company, for it may
chance to be the commencement of a conversation in which they may join,
without exciting particular attention. But it, too, dies away. It was
only a passing under-current of remark between the two married ladies
in the blue and white turbans, on the dearth of coals, the difficulty
of getting good servants, or the utility of keeping children muffled in
flannel nightgowns from October till March. At length some good soul
makes an effort to brush away his diffidence. He projects a remark
across the room towards the little man with the smirking countenance,
about Mr This or Miss That, or Signor Such-a-thing, who are at present
enlivening the town with their exhibitions. The remark is in itself a
very ordinary remark, but it has its use: it quickens the intellects
of those who hear it, and the tongues of a number of individuals are
set a-going upon the subject of theatrical amusements, singing in the
Assembly Rooms, Pasta, Paganini, and private parties, so that the
original remark is lost sight of, and the company go on pretty well
with what it has produced for perhaps half an hour. All these topics
being exhausted, another horrible silence ensues. The company again
look into the fire, or in one another’s faces, and once more examine
the carpet. What _is_ to be said next? All think upon saying something,
yet nobody speaks. The national _mauvaise honte_ is now displayed
to the height of its perfection. The agony of the company, however,
approaches its crisis. The awful stillness is broken, and in a most
natural and unexpected manner.
Public-domain text, read in full here on John Shaqi.
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